On February 10, 2002, the song "Come Unto Me" was released by Danny Oertli. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Nothing Left to Prove". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of Come Unto Me is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come Unto Me by Danny Oertli having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Would Jesus Love | Ray Boltz | G Minor | 8 | 6A | 132 BPM | ||
| Head Over Heels | Spiraling Reverb | G Major | 5 | 9B | 108 BPM | ||
| List | Haroldtertez | C Major | 2 | 8B | 102 BPM | ||
| Last Round Legacy | Liam Peterson | G Major | 3 | 9B | 80 BPM | ||
| Young | Peterngslds | G Major | 2 | 9B | 107 BPM | ||
| I Will Listen - Where I Stand Album Version | Twila Paris | B♭ Major | 2 | 6B | 119 BPM | ||
| Wonderful Maker | Matt Redman | G Major | 3 | 9B | 77 BPM | ||
| Death Is Not the End | Aaron Shust | E Minor | 2 | 9A | 74 BPM | ||
| Mother Of Perpetual Help | Randy Albright | B Major | 3 | 1B | 87 BPM | ||
| Next to You | Silas, Guillyan | B Major | 1 | 1B | 183 BPM | ||
| Blessed Be Your Name - Acoustic | Matt Redman | A Major | 2 | 11B | 113 BPM | ||
| Stained Glass Window | Clay Crosse | E Major | 4 | 12B | 142 BPM | ||
| Carry the Seasons | Take me the horizon | E♭ Major | 3 | 5B | 77 BPM | ||
| Great Plans | Cloverton | C Major | 3 | 8B | 66 BPM | ||
| Above All Else - Yesterday, Today And Forever Album Version | Vicky Beeching | D Major | 3 | 10B | 96 BPM | ||
| Through the Clouds and Beyond | Kaelis | C Major | 2 | 8B | 148 BPM | ||
| Texturation | Noclas Berzon | C Major | 0 | 8B | 140 BPM | ||
| Flowers Do | Johnny Guest | G Major | 6 | 9B | 140 BPM | ||
| Mercy Seat | The Waiting | C Major | 6 | 8B | 182 BPM | ||
| Show Us Your Mercy | Providence | D Major | 4 | 10B | 120 BPM | ||
| Lord, Have We Lost? (Psalm 46) | Stephen M. Miller | A Major | 6 | 11B | 151 BPM | ||
| Ghosts in the Waiting Room | SANTI MATI | F♯ Major | 3 | 2B | 126 BPM | ||
| Sleepyhead Sun | Chris Rice | G Major | 2 | 9B | 127 BPM | ||
| Walking Home With You - Sunday Album Version | Tree63 | B Major | 7 | 1B | 119 BPM | ||
| Sleepy Meadow Lights | Sing With Paul | A Major | 1 | 11B | 98 BPM |