On 2015, the song "Main Aap V Rang De Sanwli" was released by Shafullah Khan Rokhrhi. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Shafullah Khan Rokhrhi's "Jali Dar Kamezan" album is number 7 out of 10. On top of that, Pakistan appears to be the country where this track was created. Main Aap V Rang De Sanwli is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Main Aap V Rang De Sanwli by Shafullah Khan Rokhrhi to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Aas | JARMAN DEOL | F♯ Minor | 5 | 11A | 71 BPM | ||
| Mere Haaniya Mere Jaaniya | Naseebo Lal | B♭ Minor | 7 | 3A | 79 BPM | ||
| Mere Guru Ravidas Ji | Kashi Nath | A Major | 8 | 11B | 84 BPM | ||
| Qameezan Kaaliyan | Tahir Mahmood Nayyar | F♯ Major | 6 | 2B | 146 BPM | ||
| Choorha | Raj Ghuman | F Major | 10 | 7B | 92 BPM | ||
| Do Do Tha Te Pyar Vi | Allah Ditta Lunewala | B Major | 7 | 1B | 123 BPM | ||
| Doonga Waah Lai Haal Ve | Jaswinder Brar | A Minor | 6 | 8A | 154 BPM | ||
| Dil Vich Vas Gayi | K.S Makhan | B Minor | 9 | 10A | 172 BPM | ||
| Mail Karada Rabba | Maratab Ali | E♭ Minor | 9 | 2A | 136 BPM | ||
| Suti Paee Nu Hichkian | Manmohan Waris | B Major | 8 | 1B | 79 BPM | ||
| JA TU MERE WALL HAI | Karamjit Anmol | B Minor | 7 | 10A | 90 BPM | ||
| Dhola Jo Bewafa He | Shafullah Khan Rokhrhi | B♭ Minor | 7 | 3A | 76 BPM | ||
| Eha Gal | Basit Naeemi | D♭ Minor | 7 | 12A | 93 BPM | ||
| Nan Di Rani | Jeevan Maan, Jeeti, Daljit Singh | B Major | 7 | 1B | 146 BPM | ||
| Kyon Shanaiyan Bhaniyan Ni | Ahmed Nawaz Cheena | C Minor | 6 | 5A | 114 BPM | ||
| Sara Jag Bewafa Koi Kise | Ahmed Nawaz Cheena | A♭ Major | 6 | 4B | 105 BPM | ||
| Toun Ty Sada Yar Haiye Wo | Ahmad Nawaz Cheena | B Major | 5 | 1B | 110 BPM | ||
| Kehre Darzi Tun Suit | Wajid Ali Baghdadi, Nooran Lal | A♭ Major | 8 | 4B | 114 BPM | ||
| Laggiyan De Dukh | Sukhbir Rana, Harpreet Walia | B♭ Minor | 8 | 3A | 160 BPM | ||
| Kar Ditta Ghala Mala | Surjit Bindrakhia | C Major | 5 | 8B | 124 BPM | ||
| Wah Jo pyar Keeto ee | Atta Ullah khan Essakhailvi | B Minor | 9 | 10A | 106 BPM | ||
| Ap V Badnam Hoyain | Shoaib Ahmad Shaibi | B Major | 8 | 1B | 74 BPM | ||
| Hun Gayi Jawani | Rajjo Devi, Kuljeet Parihar | D♭ Major | 8 | 3B | 150 BPM | ||
| Lohe Da Chimta | Zeeshan Rokhri | E Major | 7 | 12B | 164 BPM | ||
| Dhole Kun Manawan Di | Ahmed Nawaz Cheena | F♯ Major | 4 | 2B | 81 BPM |