Bodem's ' "9 to 5" was released on its scheduled release date, February 21, 2025. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Bodem's "Lush and Alive" album is number 8 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, 9 to 5 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 9 to 5 by Bodem to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Locusts Are Descending | Tarun Balani | E♭ Major | 2 | 5B | 127 BPM | ||
| Walkside | Julia Hülsmann Octet | A♭ Major | 3 | 4B | 85 BPM | ||
| Let It Happen | MAO, Orel Oshrat, maayan doari | F Major | 4 | 7B | 124 BPM | ||
| Roots | Jakob Bro, Andrew D'Angelo, Jesper Zeuthen, Bill McHenry, Adi Zukanovic, Anders Christensen, Matthias Petri, Kresten Osgood, Jakob Høyer | A♭ Major | 5 | 4B | 95 BPM | ||
| Tal Vez Distante | Billy Martin, Matt Glassmeyer, Jonathan Goldberger | A♭ Major | 3 | 4B | 85 BPM | ||
| Bath of Forgiveness in the Moonlight - Radio Edit | Naïssam Jalal | A♭ Major | 3 | 4B | 85 BPM | ||
| Mouth Full of Sky | Theo Croker, Sullivan Fortner | F Minor | 4 | 4A | 75 BPM | ||
| Days of Lily | Britta Virves, Jonas Bäckman, Jon Henriksson, Daniel Migdal | B Major | 4 | 1B | 134 BPM | ||
| Jazz Politics | LieBerTrio | F Major | 1 | 7B | 109 BPM | ||
| Départ d'Ithaque | Paul Lay | F Minor | 5 | 4A | 115 BPM | ||
| Manarola | Vincent Segal, Stéphane Kerecki | D♭ Major | 1 | 3B | 84 BPM | ||
| Fleeting (for Spencer) | Angus Hardcastle | G Major | 2 | 9B | 81 BPM | ||
| Isola | Yuri Honing, Yuri Honing's Peace Orchestra, Remy Van Kesteren, Tony Overwater, Yoràn Vroom, Ella Zirina | D Minor | 2 | 7A | 136 BPM | ||
| And They All Came Marching Out Of The Woods | Jakob Bro, Andrew D'Angelo, Jesper Zeuthen, Bill McHenry, Adi Zukanovic, Anders Christensen, Matthias Petri, Kresten Osgood, Jakob Høyer | A Minor | 5 | 8A | 103 BPM | ||
| Introspection I - I | Milena Casado | E♭ Minor | 2 | 2A | 67 BPM | ||
| Annwn | Will Barnes Quartet, Will Barnes | E Minor | 3 | 9A | 136 BPM | ||
| Swedish Delight | Gard Nilssen Acoustic Unity | D♭ Major | 7 | 3B | 158 BPM | ||
| 3rd curtain waltz | Asger Baden | A♭ Major | 3 | 4B | 85 BPM | ||
| Vinden Stiger | Gard Nilssen Acoustic Unity | C Major | 2 | 8B | 118 BPM | ||
| Rage | Space | B♭ Minor | 4 | 3A | 78 BPM | ||
| Solbrud | Girls in Airports, Halvcirkel | E Minor | 3 | 9A | 92 BPM | ||
| Implications and Consequences | Joona Toivanen Trio | E Minor | 1 | 9A | 64 BPM | ||
| Tersane | Ilhan Ersahin, Alp Ersönmez, İzzet Kızıl, Turgut Alp Bekoğlu | A♭ Major | 3 | 4B | 85 BPM | ||
| BeaT CoiN aka WaLTz For RH | Jowee Omicil, Ludovic Louis | B♭ Major | 4 | 6B | 131 BPM | ||
| Bosaardig | Bodem | E Minor | 2 | 9A | 94 BPM |