To the Finish Line
Wayne Anthony Murray, Timothy Fleet, Daniel Marantz
Blues Pop Rising - Confident Builds & Payoffs
2:45 May 3, 2021
BPM
180
Key
F♯ Major
Camelot
2B

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To the Finish Line by Wayne Anthony Murray, Timothy Fleet, Daniel Marantz Song Details

"To the Finish Line" by Wayne Anthony Murray, Timothy Fleet, Daniel Marantz had its release date on May 3, 2021. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. To the Finish Line's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in Blues Pop Rising - Confident Builds & Payoffs by Daniel Marantz. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of To the Finish Line is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

The tempo marking of To the Finish Line by Wayne Anthony Murray, Timothy Fleet, Daniel Marantz is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.

Music Key

The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-21.434 dB
Acousticness
97%
Danceability
48%
Energy
12%
Instrumentalness
2%
Liveness
12%
Loudness
64%
Speechiness
5%
Valence
19%

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ISRC
GBBHR2104607
Label
L-M Records/RCA Records