"Secret Lab" by Sam Marshall had its release date on July 9, 2025. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "San Juno Express (Official Soundtrack)". In this album, this song's track order is #2. The popularity of Secret Lab is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Secret Lab by Sam Marshall having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Música egipcia para gatos | Lepone | A♭ Major | 3 | 4B | 133 BPM | ||
| Spy | Ray D Kim | E Minor | 5 | 9A | 173 BPM | ||
| There Is Where I Want To Work | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Blood Lab | Atli Örvarsson, Kjartan Holm, Sin Fang | G Major | 6 | 9B | 170 BPM | ||
| Oscillating Form | Charlie Ryan | B♭ Minor | 5 | 3A | 100 BPM | ||
| Signs | Lennon Hutton | B♭ Minor | 3 | 3A | 176 BPM | ||
| Eclat | CHLOE (Thévenin) | G Major | 6 | 9B | 170 BPM | ||
| Dead Seas | David Buckley | G Major | 6 | 9B | 170 BPM | ||
| The Search for More | Alec Slayne | D Major | 1 | 10B | 174 BPM | ||
| Tengo Frente a Mi | Hermanos Ferrando | D Major | 4 | 10B | 94 BPM | ||
| They felt tiny, standing next to the monolith | Jay Hosking | C Major | 1 | 8B | 102 BPM | ||
| Moonchild | Elision | F♯ Major | 3 | 2B | 67 BPM | ||
| Ominous | Philip Ayers | D Minor | 3 | 7A | 46 BPM | ||
| Moments Too Late | Cris Velasco | D Major | 4 | 10B | 170 BPM | ||
| trouble | kayleb kelebu | D♭ Minor | 9 | 12A | 194 BPM | ||
| The Last Lightcycle | Athena IV | D Major | 2 | 10B | 116 BPM | ||
| Atrophy - Bill Kiley Remix | Sam Marshall, Bill Kiley | D Minor | 7 | 7A | 140 BPM | ||
| Idle Grin | Jay Varton | D Major | 2 | 10B | 140 BPM | ||
| bale start | オレンジかもしれない | G Major | 6 | 9B | 170 BPM | ||
| King's Requiem | Alon Peretz | D Minor | 2 | 7A | 70 BPM | ||
| Sisters Fight Back | Adrian Johnston | G Major | 6 | 9B | 170 BPM | ||
| Little Arkin | Ulrich Hilbel | D♭ Major | 1 | 3B | 83 BPM | ||
| Unicas Oportunidades | Mutua Admiración | D♭ Major | 0 | 3B | 68 BPM | ||
| The Vision | Sonum | E Minor | 3 | 9A | 120 BPM | ||
| Clutch | MASTERMINDS, Sam Marshall | B♭ Minor | 5 | 3A | 160 BPM |