Aaron Copland, London Symphony Orchestra's ' "4 Dance Episodes from Rodeo: IV. Hoe-Down. Allegro" was released on its scheduled release date, 1963. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 23 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, 4 Dance Episodes from Rodeo: IV. Hoe-Down. Allegro is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 4 Dance Episodes from Rodeo: IV. Hoe-Down. Allegro by Aaron Copland, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 72 BPM | ||
| L'oiseau de feu, K. 10. Suite 1919: VII. Final | Igor Stravinsky, Budapest Festival Orchestra, Iván Fischer | A Major | 0 | 11B | 90 BPM | ||
| Also sprach Zarathustra, Op. 30: I. Prelude. Sonnenaufgang | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 86 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
| Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
| The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, London Symphony Chorus, London Symphony Orchestra, Geoffrey Simon | D Major | 0 | 10B | 112 BPM | ||
| The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | E Major | 0 | 12B | 176 BPM | ||
| Carmen Suite No. 2: II. Habanera (Act I) | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 0 | 10B | 127 BPM | ||
| Carmen Suite No. 1: I. Aragonaise | Georges Bizet, Slovak Philharmonic, Anthony Bramall | D Minor | 1 | 7A | 112 BPM | ||
| Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
| Bright Blue Music | Michael Torke, Baltimore Symphony Orchestra, David Zinman | D Major | 2 | 10B | 118 BPM | ||
| "Pomp and Circumstance," Op. 39: March, No. 4 in G | Edward Elgar, BBC Concert Orchestra, Barry Wordsworth | G Major | 3 | 9B | 114 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | ||
| Basic Training | Alexandre Desplat, London Symphony Orchestra | C Major | 7 | 8B | 133 BPM | ||
| Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
| L'Italiana in Algeri (the Italian Girl in Algiers): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | F♯ Major | 2 | 2B | 95 BPM | ||
| Equus | Eric Whitacre, London Symphony Orchestra | F Minor | 3 | 4A | 109 BPM | ||
| Gianni Schicchi: O mio babbino caro (Arr. C. Leon for Violin & Orchestra) | Giacomo Puccini, Joshua Bell, Michael Stern | D♭ Major | 2 | 3B | 121 BPM | ||
| Rodeo: No. 3, Ranch House Party | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Farandole | Georges Bizet, Semyon Bychkov, Wiener Philharmoniker | G Major | 5 | 9B | 156 BPM | ||
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
| Carmen: Carmen, Act III: Intermezzo | Georges Bizet, London Symphony Orchestra, Don Jackson | B Major | 0 | 1B | 66 BPM | ||
| Olympic Fanfare & Theme | Dallas Winds, Jerry Junkin | C Major | 2 | 8B | 86 BPM | ||
| By the Beautiful Blue Danube, Op. 314 | Johann Strauss II, American Symphony Orchestra, Leon Botstein | F Major | 0 | 7B | 142 BPM | ||
| The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM |