"The Tower (Reversed)" by Christophe Beck, Michael Paraskevas had its release date on November 1, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 28 in Agatha All Along: Vol. 2 (Episodes 6-9) [Original Soundtrack] by Kristen Anderson-Lopez, Robert Lopez, Christophe Beck. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Tower (Reversed) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Tower (Reversed) by Christophe Beck, Michael Paraskevas is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Godzilla-1.0 Portent | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| What Remains (Instrumental) | Secession Studios, Adrian The Faint | F Major | 1 | 7B | 100 BPM | ||
| A Discovery | Junkie XL | F Minor | 1 | 4A | 111 BPM | ||
| The Games Begin | James Newton Howard | G Minor | 2 | 6A | 103 BPM | ||
| What If...End Credits | Laura Karpman, Nora Kroll-Rosenbaum | F Major | 5 | 7B | 93 BPM | ||
| The Hyperspace Jump | Kevin Kiner | F♯ Minor | 4 | 11A | 100 BPM | ||
| Salem, 1756 | Christophe Beck, Michael Paraskevas | D♭ Major | 1 | 3B | 73 BPM | ||
| Rhiannon | Isobel Waller-Bridge | E Minor | 5 | 9A | 148 BPM | ||
| Magical Forest | Pinar Toprak, Tyler Durham | F Major | 4 | 7B | 98 BPM | ||
| Return | Kris Bowers | G Major | 2 | 9B | 94 BPM | ||
| Flux Devil | Simon Franglen | A Major | 5 | 11B | 101 BPM | ||
| Sous Vide | Christophe Beck, Michael Paraskevas | C Major | 1 | 8B | 170 BPM | ||
| Almost None | Anthony Willis, London Contemporary Orchestra | F Major | 0 | 7B | 75 BPM | ||
| The Queen and the Hive | Kazuma Jinnouchi | B♭ Minor | 7 | 3A | 142 BPM | ||
| Permanent Exile | Daniel Hart | C Major | 0 | 8B | 91 BPM | ||
| Lucius, Arishat And The Roman Invasion | Harry Gregson-Williams | A Minor | 2 | 8A | 120 BPM | ||
| The Abyss (Instrumental) | Secession Studios, Adrian The Faint | E♭ Major | 2 | 5B | 164 BPM | ||
| Mrs Reed | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Listening to the Force | Kevin Kiner | G Major | 2 | 9B | 124 BPM | ||
| Let The Gods Decide | Harry Gregson-Williams | A Minor | 1 | 8A | 183 BPM | ||
| Playing Detective | Sam Watts | B♭ Major | 1 | 6B | 96 BPM | ||
| Tyrannosaurus Brothers | Anže Rozman, Kara Talve | C Major | 2 | 8B | 165 BPM | ||
| You Are Awaited | Junkie XL | D♭ Major | 6 | 3B | 93 BPM | ||
| I've Made My Choice, You'll Have to Make Yours | Geoff Zanelli | A Minor | 6 | 8A | 86 BPM |