Elliott Smith's ' "Angeles" was released on its scheduled release date, February 25, 1997. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Angeles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Either/Or by Elliott Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Angeles is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Angeles by Elliott Smith is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Fond Farewell | Elliott Smith | F♯ Major | 4 | 2B | 122 BPM | ||
| Two-Headed Boy | Neutral Milk Hotel | G Major | 3 | 9B | 144 BPM | ||
| Blue Chicago Moon | Songs: Ohia, Jason Molina | A Minor | 3 | 8A | 107 BPM | ||
| The Moon | The Microphones | G Major | 7 | 9B | 150 BPM | ||
| Banyan Highway | Birddog, Elliott Smith, Edith Frost, Paul K | E♭ Minor | 3 | 2A | 103 BPM | ||
| A Lack of Color | Death Cab for Cutie | G Major | 6 | 9B | 110 BPM | ||
| Via Chicago | Wilco | D Major | 4 | 10B | 94 BPM | ||
| Pitseleh | Elliott Smith | D Major | 2 | 10B | 106 BPM | ||
| The Only Thing | Sufjan Stevens | E♭ Major | 1 | 5B | 159 BPM | ||
| Eyepennies | Sparklehorse, PJ Harvey | E Minor | 2 | 9A | 80 BPM | ||
| Sing a Song for You | Tim Buckley | F♯ Major | 1 | 2B | 132 BPM | ||
| Alison | Slowdive | E Major | 4 | 12B | 102 BPM | ||
| Lakes Of Canada | Karen Peris, Don Peris, The Innocence Mission | F Major | 4 | 7B | 94 BPM | ||
| Honey I Sure Miss You | Daniel Johnston | C Major | 6 | 8B | 125 BPM | ||
| I'm Over That Now | Heatmiser | F Major | 5 | 7B | 157 BPM | ||
| New York, I Love You but You're Bringing Me Down | LCD Soundsystem | G Minor | 4 | 6A | 177 BPM | ||
| These Days | Nico | F Major | 1 | 7B | 93 BPM | ||
| Piano Fire | Sparklehorse, PJ Harvey | F♯ Minor | 8 | 11A | 129 BPM | ||
| Two-Headed Boy Pt. 2 | Neutral Milk Hotel | G Major | 3 | 9B | 144 BPM | ||
| The One With The Wurlitzer | American Football | E Major | 7 | 12B | 122 BPM | ||
| The Greatest | Cat Power | C Major | 4 | 8B | 107 BPM | ||
| Say Yes | Elliott Smith | F Major | 1 | 7B | 153 BPM | ||
| The Wild Kindness | Silver Jews | E Minor | 4 | 9A | 102 BPM | ||
| Ballad Of Big Nothing | Elliott Smith | C Major | 5 | 8B | 109 BPM | ||
| Heroin | The Velvet Underground, Nico | D♭ Major | 8 | 3B | 145 BPM |