Rolf Kühn's 'Yellow Shoes' had a release date set for November 28, 2014. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Perrak". In this album, this song's track order is #16. In terms of popularity, Yellow Shoes is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Yellow Shoes by Rolf Kühn having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's All | Jimmy Forrest | E♭ Major | 2 | 5B | 122 BPM | ||
| Moontrane | Soho Quartet | B♭ Major | 4 | 6B | 96 BPM | ||
| Cherie | Vernon Sanders | F Major | 1 | 7B | 111 BPM | ||
| Leave Me Here | Triosence | B♭ Minor | 3 | 3A | 104 BPM | ||
| Easy | Fulton Street Players | A Minor | 2 | 8A | 107 BPM | ||
| For the Love of Freedom | Marcus Miller | D Minor | 1 | 7A | 104 BPM | ||
| The Sequel | Mulgrew Miller, Wingspan | A Minor | 4 | 8A | 128 BPM | ||
| District 7 | Rolf Kühn Unit | C Major | 5 | 8B | 106 BPM | ||
| Two Sleepy People | Danny Grissett, Vicente Archer, Marcus Gilmore | E♭ Major | 1 | 5B | 117 BPM | ||
| Gloria's Step | Stephen Hall-Jones | F Minor | 3 | 4A | 117 BPM | ||
| Can't Let Go | Triosence | B♭ Major | 3 | 6B | 126 BPM | ||
| Going Places | Morris Valentin | F Minor | 2 | 4A | 100 BPM | ||
| Sweetness | Roger Kellaway, Jay Leonhart, Peter Erskine | A♭ Major | 2 | 4B | 82 BPM | ||
| Porto Alegre | Kenny Barron, Dave Holland Trio, Johnathan Blake | D Minor | 4 | 7A | 104 BPM | ||
| A Certain Sadness | Burt Mitchell | D♭ Major | 1 | 3B | 104 BPM | ||
| The Morning After the Night Before | Courtney Pine | C Minor | 1 | 5A | 128 BPM | ||
| Laura | Rolf Kühn, Albrecht Mayer | C Major | 0 | 8B | 69 BPM | ||
| A Better Place | Joel Lyssarides | F Major | 0 | 7B | 101 BPM | ||
| Part Trio | Anat Fort Trio, Anat Fort | B♭ Minor | 5 | 3A | 98 BPM | ||
| Alpha 47 | Rolf Kühn | B♭ Minor | 3 | 3A | 130 BPM | ||
| After You've Gone | Eddie Henderson | B♭ Major | 2 | 6B | 47 BPM | ||
| Cianna | Branford Marsalis Quartet | E♭ Major | 5 | 5B | 100 BPM | ||
| I Love You, Yes I Do | Lafayette Harris, Jr. | G Minor | 1 | 6A | 64 BPM | ||
| The Man I Love | Fred Hersch Trio | A♭ Major | 2 | 4B | 110 BPM | ||
| This Can't Be Love | Riley Foster | G Major | 2 | 9B | 122 BPM |