On January 1, 1974, the song "Lute music - England: Alman" was released by Robert Johnson, Konrad Ragossnig. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Works For Lute by Konrad Ragossnig. The song's track number on the album is #18 out of 114 tracks. Based on our statistics, Lute music - England: Alman's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Lute music - England: Alman by Robert Johnson, Konrad Ragossnig has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute music - England: Alman being at 153 BPM, the half-time would be 76 BPM with a double-time of 306 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ayres for the Violin: Aria II (Arr. For guitar) | Nicola Matteis Jr., Pierre Pitzl | A♭ Minor | 1 | 1A | 132 BPM | ||
| Libro de Música de Vihuela de Mano "El Maestro": Pavana No. 1 | Luis de Milán, José Antonio Escobar | B Major | 0 | 1B | 97 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Folia. Recercada 8ª | Diego Ortiz, La Reverencia | C Major | 4 | 8B | 126 BPM | ||
| Where the bee sucks | Robert Johnson, Ruby Hughes, Jonas Nordberg | C Major | 0 | 8B | 106 BPM | ||
| Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM | ||
| Shepheards Holyday or Labour in Vaine | The Broadside Band | B♭ Major | 1 | 6B | 94 BPM | ||
| Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
| Concert for 2 Guitars in E Minor: Passacaille | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | F♯ Major | 0 | 2B | 88 BPM | ||
| Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
| [Suite en sol majeur]: VI. Sarabande grave (99) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 2 | 1A | 85 BPM | ||
| The Satyrs Masque | Robert Johnson, Concerto Scirocco, Giulia Genini | F♯ Major | 1 | 2B | 118 BPM | ||
| Allemandes - Arranged by Piffaro | Claude Gervaise, Piffaro | A♭ Major | 1 | 4B | 118 BPM | ||
| Care-charming sleep | Robert Johnson, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé | A♭ Minor | 0 | 1A | 134 BPM | ||
| The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM | ||
| Capriccio detto Svegliatoio | Bellerofonte Castaldi, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 111 BPM | ||
| Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
| Galanterie Pièce | Silvius Leopold Weiss, Lutz Kirchhof | D Major | 1 | 10B | 100 BPM | ||
| Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| Lonc tems ai - Lo ferm vole (Arr. S. Bergeron) | Raimon de Miraval, Arnaut Daniel, La Nef | C Major | 0 | 8B | 106 BPM | ||
| Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
| D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
| Allemanda per la E | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | A Minor | 1 | 8A | 95 BPM | ||
| Full Fathom Five - from "The Tempest" I, 2 | Robert Johnson, Deller Consort | D Minor | 1 | 7A | 79 BPM |