Drew McVety's 'Scene: All Right Break It Up...' had a release date set for January 1, 2000. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 90 in the song's album "The Most Happy Fella: First Complete Recording". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Scene: All Right Break It Up... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scene: All Right Break It Up... by Drew McVety having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Track 11 - Sword of Orion, Part 1 | Doctor Who, Nicholas Briggs, Paul McGann, India Fisher | D♭ Major | 4 | 3B | 79 BPM | ||
| (I Got a Lot in Common with) Dostoevsky, Pt. 2 - Original 2013 Recording | Sparks | D Minor | 3 | 7A | 99 BPM | ||
| The Dreams of the Golden Ladder | Riley Weber | G Major | 6 | 9B | 158 BPM | ||
| Chapter 11: Full Moon Over Falkenstein | Bibi and Tina | A Major | 2 | 11B | 97 BPM | ||
| Chapter 19 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | G Major | 3 | 9B | 58 BPM | ||
| Introduction to the Pullen Song | Michael Harris | F♯ Minor | 3 | 11A | 93 BPM | ||
| The Flood Abates | Bible Dreaming | D♭ Major | 7 | 3B | 120 BPM | ||
| Chapter 1.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Chapter 3.3 - Animal Farm | George Orwell | E♭ Major | 3 | 5B | 76 BPM | ||
| Little Red Riding Hood, Pt. 15 | Fairy Tales for Kids, Kids, Fairy Tales | D♭ Major | 2 | 3B | 167 BPM | ||
| The Melbourne Room | The Listies | C Major | 6 | 8B | 173 BPM | ||
| Ping Piano Brings Bad News | Childrens Corner | F Minor | 3 | 4A | 134 BPM | ||
| Berlin: Annie Get Your Gun, Act 1: "Moonshine Lullaby" (Annie, Trainman, Waiter, Porter, Chorus) | Irving Berlin, Kim Criswell, London Sinfonietta, John McGlinn, Ambrosian Chorus, Carey Wilson, Michael Pearn, Nick Curtis | A♭ Major | 1 | 4B | 106 BPM | ||
| Musée Des Beaux Arts | W. H. Auden | F♯ Major | 3 | 2B | 84 BPM | ||
| Finding Peace in Presence | Eckhart Tolle | B Major | 2 | 1B | 80 BPM | ||
| Quest for the Diamond Diadem (Dialog) | Patch the Pirate | C Minor | 6 | 5A | 106 BPM | ||
| Two Tailor's Treasure | Children's Fairytale Theater | C Major | 3 | 8B | 96 BPM | ||
| Two Tramps in Mud Time | Robert Frost | A Major | 1 | 11B | 83 BPM | ||
| Victorian London, Pt. 5 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| David and Goliath | Riley Weber | C Major | 5 | 8B | 166 BPM | ||
| The Mikado / Act 1: 12. Were you not to Ko-Ko plighted | Arthur Sullivan, Valerie Masterson, Colin Wright, Royal Philharmonic Orchestra, Royston Nash | F Major | 2 | 7B | 112 BPM | ||
| Butty Port | Children's Bedtime Stories | B Minor | 1 | 10A | 117 BPM | ||
| Spare Parts, Pt. 1, Track 3 | Doctor Who, Marc Platt, Peter Davison, Sarah Sutton | G Minor | 5 | 6A | 134 BPM | ||
| Eternal Security II | GRACE CLIPS | E♭ Major | 6 | 5B | 102 BPM | ||
| Peter and the Wolf, Op. 67: And Now This Is How Things Stood | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Major | 0 | 9B | 99 BPM |