Tony Martin's 'Tis Autumn' had a release date set for November 3, 2009. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tony Martin's "How Can it Be Told" album is number 2 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Tis Autumn is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tis Autumn by Tony Martin to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Perfidia | The Four Aces | B Major | 6 | 1B | 113 BPM | ||
| I Dreamed | Betty Johnson | G Major | 5 | 9B | 114 BPM | ||
| Amapola | Jimmy Dorsey | B Major | 6 | 1B | 113 BPM | ||
| My Cucuzza (feat. Harry Felbert) | Lise Reinau, Harry Felbert | F Minor | 4 | 4A | 128 BPM | ||
| True Love | Ed Ames | F♯ Major | 1 | 2B | 118 BPM | ||
| All My Love | Patti Page | A♭ Major | 2 | 4B | 125 BPM | ||
| In My Merry Oldsmobile | Jean Goldkette & His Orchestra | D Major | 3 | 10B | 111 BPM | ||
| Old Cape Cod | Jane Morgan | F Major | 2 | 7B | 75 BPM | ||
| Heart & Soul | Mel Torme & The Mel-Tones | E♭ Major | 0 | 5B | 90 BPM | ||
| Down by the Riverside | The Four Lads | G Major | 5 | 9B | 91 BPM | ||
| Say It Isn't So | Rudy Vallee and His Connecticut Yankees | B Major | 6 | 1B | 113 BPM | ||
| Lili Marlene | Anne Shelton | B Major | 6 | 1B | 113 BPM | ||
| Same Old Moon | Rudy Vallee and His Connecticut Yankees | B Major | 6 | 1B | 113 BPM | ||
| One Dozen Roses | Connee Boswell | A Minor | 2 | 8A | 93 BPM | ||
| Forgive and Forget | Jeri Southern | D Minor | 1 | 7A | 83 BPM | ||
| It All Depends On You | Annette Hanshaw | B♭ Major | 2 | 6B | 95 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Personality - from "Road to Utopia" | Dorothy Lamour | B♭ Major | 3 | 6B | 77 BPM | ||
| Gonna Get Along Without Ya Now | Teresa Brewer | A♭ Major | 4 | 4B | 78 BPM | ||
| Yes Sir, That's My Baby! - Remastered | Eddie Cantor | A♭ Major | 4 | 4B | 113 BPM | ||
| Isn't It Heavenly | Lew Stone & His Band | A♭ Major | 1 | 4B | 104 BPM | ||
| There's No Such Thing | James Darren | F♯ Major | 4 | 2B | 143 BPM | ||
| Too Marvellous for Words | Carroll Gibbons, The Savoy Hotel Orpheans | D♭ Major | 1 | 3B | 75 BPM | ||
| Why Don't We Do This More Often | Kay Kyser & His Orchestra, Ginny Simms | B Major | 6 | 1B | 113 BPM |