John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's 'Bard's Eye View: III. Sigh no more, ladies' had a release date set for September 26, 2025. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's "John Rutter: A Clare College Celebration" album is number 8 out of 16. On top of that, France appears to be the country where this track was created. The popularity of Bard's Eye View: III. Sigh no more, ladies is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bard's Eye View: III. Sigh no more, ladies by John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Hymn to the Virgin | Benjamin Britten, VOCES8 | A Minor | 0 | 8A | 133 BPM | ||
| Requiem aeternam | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | G Major | 0 | 9B | 140 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| Wherever You Are | Paul Mealor, Cai Thomas, Choristers of St Thomas-on-The Bourne, Robert Lewis | B♭ Major | 3 | 6B | 64 BPM | ||
| Beautiful Savior | The Concordia Choir, René Clausen | D Major | 0 | 10B | 86 BPM | ||
| Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
| 5 Meditations for Orchestra: No. 4, Lord, Make Me an Instrument of Thy Peace | John Rutter, Manchester Camerata | E Minor | 1 | 9A | 80 BPM | ||
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM | ||
| Still, Still Night | Seattle Girls' Choir | D♭ Major | 0 | 3B | 78 BPM | ||
| Open Thou Mine Eyes | John Rutter, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Cradle Hymn | Kim André Arnesen, Kantorei, Alicia Rigsby, Joel Rinsema | D♭ Major | 0 | 3B | 174 BPM | ||
| Five Hebrew Love Songs 1. Temuna | Eric Whitacre | G Major | 1 | 9B | 87 BPM | ||
| Dona nobis pacem: O Man Greatly Beloved | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | C Major | 2 | 8B | 83 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Quanta Qualia | Patrick Hawes, Conventus Choir, English Chamber Orchestra | E♭ Major | 1 | 5B | 139 BPM | ||
| Notebook for Anna Magdalena Bach (1725): No. 25, Bist du bei mir, BWV 508 [Arr. for Orchestra by John Rutter] | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
| La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
| All things bright and beautiful | John Rutter, Wayne Marshall | F Major | 1 | 7B | 136 BPM |