Rupam Bhuyan's 'Sokut Tumar' had a release date set for January 1, 2015. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 6 in Bisari Aant by Chinmoy, Kaushik, Joy. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sokut Tumar is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Sokut Tumar by Rupam Bhuyan is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bogitora | Babu | A Minor | 5 | 8A | 120 BPM | ||
| Bheli Päräbexä | Papon | B Major | 5 | 1B | 60 BPM | ||
| Nini Kok Samarok | Manik Debbarma, Rumi Murasing | F Major | 6 | 7B | 160 BPM | ||
| Bhalobashi Bole - Duet Version | Elma Siddiqui, Bari Siddiqui | E♭ Major | 5 | 5B | 95 BPM | ||
| Sohoj Nohoy (Male Version) | Rupam Bhuyan, Sarat Barkakati, Hriday Goswami | G Major | 3 | 9B | 105 BPM | ||
| Tim Timi | Tanu Srivastava, Akash Chandra | D Major | 4 | 10B | 49 BPM | ||
| O Dayal Jagat Swami | Satsangee, Pradip Chakraborty | A Minor | 6 | 8A | 96 BPM | ||
| Hajira Kora Manuh | Partha Pratim Baishya | D♭ Major | 5 | 3B | 156 BPM | ||
| Halog Kwtal | Rumi Murasing | A Major | 7 | 11B | 102 BPM | ||
| Teisa Malaiphiwanu | Manik Debbarma, Bipasha Reang | A Major | 7 | 11B | 144 BPM | ||
| Dhuleti Bojai | Achurjya Barpatra | A♭ Major | 6 | 4B | 135 BPM | ||
| Nila Koi Aakakhot | Sumanta, Subhashana | E Minor | 6 | 9A | 95 BPM | ||
| Laapataa Dil | Anup Bading | F Minor | 4 | 4A | 149 BPM | ||
| Oh Jala Oh Jala | Manik Debbarma, Bipasha Reang | B♭ Minor | 5 | 3A | 150 BPM | ||
| Priya | Micheal Pathor | B♭ Major | 7 | 6B | 138 BPM | ||
| Suwana Ahi | Mizzu Mirzanoor | A Major | 5 | 11B | 112 BPM | ||
| Ngok Ajen No | Mikmar Riba | B Major | 6 | 1B | 88 BPM | ||
| Sukher Boli | Kazi Shuvo | G Major | 4 | 9B | 132 BPM | ||
| O Mur Apunar Desh | Rakesh Reeyan, Priyanka Bharali, Achurjya Borpatra, Dikshu Sarma, Rupam Bhuyan, Nilotpal Bora, Pranamika Goswami, Arshad M Rahman, J. P. Das, Madhab Jyoti, Debanjana Baishya, Arupjyoti Baruah | A Major | 3 | 11B | 130 BPM | ||
| Najani Kun Oporadhe Korli Amai Por | shahil Aktar | B♭ Minor | 8 | 3A | 95 BPM | ||
| Ishara | Mijing Borgoyary, Nitamoni Boro | F♯ Major | 9 | 2B | 122 BPM | ||
| Tez | Jayanta Kakati, Meghna | G Major | 3 | 9B | 88 BPM | ||
| Khwnaya khona | Ama ni khorang M.C Production, Bipasha Reang | E Major | 4 | 12B | 120 BPM | ||
| Xipa | Rupam Bhuyan | C Major | 4 | 8B | 114 BPM | ||
| Chan cha ra dribae | Yeshey Drukpa | D Major | 5 | 10B | 92 BPM |