Jaydeep Swadia's ' "Chãr Purushãrtho (Bãl Geet)" was released on its scheduled release date, August 27, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yoddha Yuvano Mahant Swamina (BAPS) by Various Artists. The song's track number on the album is #3 out of 8 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Chãr Purushãrtho (Bãl Geet)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Chãr Purushãrtho (Bãl Geet) by Jaydeep Swadia has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Chãr Purushãrtho (Bãl Geet) being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Utha Utha Swami Samarth | Mahendra Warekar, Ravindra Sathe | A♭ Major | 7 | 4B | 90 BPM | ||
| Sainath Maza Kulswami Haay | Mangesh Shirke | C Minor | 8 | 5A | 113 BPM | ||
| He Trishalana Jaaya | Nisha Upadhyay | D♭ Major | 3 | 3B | 99 BPM | ||
| Prabhu Mangu Tari Pas | Kishore Manraja | F Major | 7 | 7B | 100 BPM | ||
| Sant Mahant Swami Maharaj | BAPS Swaminarayan Sansth | F♯ Major | 6 | 2B | 111 BPM | ||
| Sevã Ej Amãru Jivan | Jaydeep Swadia | G Major | 5 | 9B | 90 BPM | ||
| Have Mara Vhala Ne | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM | ||
| Radhe Mi Gokulcha Ganshyam | Anjanabai Jagtap | E♭ Major | 7 | 5B | 99 BPM | ||
| Mangla Arti (feat. Padma Wadkar) | Paras Borkhatria, Padma Wadkar | C Minor | 6 | 5A | 140 BPM | ||
| Jai Jai Ramkrushna Hari | Kashirambuva Indolikar, Digambar Kute | E♭ Minor | 5 | 2A | 87 BPM | ||
| Agar Hain Shokh Milne Ka | Jaydeep Swadia | G Major | 4 | 9B | 130 BPM | ||
| Tera Assra Jo Liye Jaa Rahe Hain | Vinod Gandrav, Preet Nihal | G Major | 4 | 9B | 127 BPM | ||
| Savale Parabrahma Aavade - Studio | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Aaj Mee Dattaguru Pahile | R.N. Paradkar | D♭ Major | 3 | 3B | 102 BPM | ||
| Vandu Ganraya | C.A. Devansh Doshi, Jaydeep Swadia | E♭ Major | 6 | 5B | 95 BPM | ||
| Sahajanand Sindhu Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 84 BPM | ||
| Rimjhim Rimjhim | Arun Date | D♭ Major | 4 | 3B | 168 BPM | ||
| Palo prabhu ka pyar | Brahma Kumaris | A♭ Major | 4 | 4B | 96 BPM | ||
| Dhanya Dhanya Pandhuranga | Prahlad Shinde | F♯ Minor | 6 | 11A | 84 BPM | ||
| Tuzya Namacha Gajar | Vikrant Warde | F♯ Minor | 4 | 11A | 173 BPM | ||
| Chala Ho Pandhari Jau | Krushna Buwa Deshmukh | D Major | 7 | 10B | 101 BPM | ||
| Vhala Ne Makhan Bhave | Manoj Dave, Deepal Gajjar, Maitreyee Vyas | F Minor | 4 | 4A | 135 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Gafil Mat Rehna Beta | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Sai Re Sai | Sachidanand Appa | A♭ Major | 7 | 4B | 72 BPM |