"Meeting Lilias" by Sleeping At Last had its release date on June 23, 2015. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sleeping At Last's "Many Beautiful Things (Original Motion Picture Soundtrack)" album is number 5 out of 36. The popularity of Meeting Lilias is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meeting Lilias by Sleeping At Last to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| this too will pass | ildio | E♭ Major | 0 | 5B | 138 BPM | ||
| Winter Sunrise | Lennart Büchner | A Major | 1 | 11B | 122 BPM | ||
| My Daughter Anne | Ari Posner, Amin Bhatia | C Minor | 0 | 5A | 68 BPM | ||
| This Garden Is Taking Forever | Anne Niktin | D Minor | 1 | 7A | 130 BPM | ||
| Hers | The Arcadian Wild | A♭ Major | 2 | 4B | 133 BPM | ||
| Starlings | August Wilhelmsson | E♭ Major | 0 | 5B | 70 BPM | ||
| Open Fields | Adrien de la Salle, Francois Mathian | E♭ Major | 2 | 5B | 96 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Making Love | Peter Gregson | G Major | 0 | 9B | 167 BPM | ||
| Light at the End of the Tunnel | Kerry Muzzey | E Minor | 1 | 9A | 62 BPM | ||
| She's So Pretty | Adam Ragsdale | A Minor | 1 | 8A | 125 BPM | ||
| Tewkesbury's Trail | Daniel Pemberton | C Major | 1 | 8B | 108 BPM | ||
| Tokyo | Jeremiah Fraites | E Major | 2 | 12B | 135 BPM | ||
| The Apple of my Eye | Ólafur Arnalds | G Major | 0 | 9B | 62 BPM | ||
| A Meadow of White Flowers | Alexander Joseph | D♭ Minor | 1 | 12A | 71 BPM | ||
| Departures | No-kë | D Minor | 1 | 7A | 67 BPM | ||
| Evening Sky | Austin Farwell | F♯ Major | 0 | 2B | 69 BPM | ||
| Blue Sky | Distant Cowboy, Francesco Costanza | F Major | 1 | 7B | 83 BPM | ||
| First Kiss | Abel Korzeniowski | C Minor | 1 | 5A | 81 BPM | ||
| In His Presence | Brock Hewitt: Stories in Sound | E♭ Major | 1 | 5B | 140 BPM | ||
| All The Bright Places I - Solo Piano Version | Keegan DeWitt | A♭ Major | 1 | 4B | 120 BPM | ||
| Rodent Heart | Andreas Busk | A Major | 1 | 11B | 122 BPM | ||
| Re: Better Now | Philip Daniel, Shawn Williams | D♭ Major | 2 | 3B | 87 BPM | ||
| Service and Sacrifice | Jeremy Tai | B♭ Minor | 2 | 3A | 168 BPM | ||
| Crossing Paths | Lake Isabel | D Major | 0 | 10B | 140 BPM |