Jürgen Seefelder, Jeff Newmann's ' "Bepop Club" was released on its scheduled release date, October 2, 1992. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Bepop Club's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 30 in Contemporary Solo Sax/Flugel/Vibes by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bepop Club is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Bepop Club by Jürgen Seefelder, Jeff Newmann is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Familiar Feelings | Christian Frentzen, Nir Felder | D Major | 3 | 10B | 83 BPM | ||
| Spring Can Really Hang You up the Most | James Muller, Ken Stubbs, Brett Hirst, Simon Barker | B♭ Major | 1 | 6B | 167 BPM | ||
| Impro dosh parte 2 | BeastyBass | C Major | 0 | 8B | 147 BPM | ||
| Grimasch Om Morgonen | Cornelis Vreeswijk, vision string quartet | B♭ Major | 1 | 6B | 167 BPM | ||
| It Turned out Nice Again | Geoff Gascoyne, Dave O'Higgins, Sebastiaan De Krom, Graham Harvey | G Major | 3 | 9B | 132 BPM | ||
| Excuse | QUARTZ | D Minor | 2 | 7A | 96 BPM | ||
| Sabkah | Nils Petter Molvær, The Norwegian Radio Orchestra | B♭ Major | 2 | 6B | 178 BPM | ||
| East Print | Bobo Stenson Trio | E Major | 2 | 12B | 99 BPM | ||
| The Birth | Michel Bisceglia | F Major | 1 | 7B | 122 BPM | ||
| Diamante | Marco Vezzoso, Alessandro Collina | G Minor | 1 | 6A | 66 BPM | ||
| Tobacco Noir | Pause maybe? | C Minor | 2 | 5A | 114 BPM | ||
| New Spring | Sherbourne Rivers | G Minor | 2 | 6A | 140 BPM | ||
| Lighthouse | raLoki | B♭ Major | 1 | 6B | 167 BPM | ||
| Jessica | Nils Landgren, Swedish Radio Symphony Orchestra | E♭ Major | 3 | 5B | 169 BPM | ||
| Orange Blue | Thomas Zoller, Roman Schwaller, Jürgen Seefelder, Florian Trübsbach | F Major | 2 | 7B | 126 BPM | ||
| Odds | Jerry Bergonzi, Phil Grenadier | A♭ Minor | 5 | 1A | 142 BPM | ||
| NICE NISSA | Travel Collective | D Major | 2 | 10B | 125 BPM | ||
| Last Dance | Jacob Karlzon, Rhani Krija | F♯ Major | 3 | 2B | 120 BPM | ||
| Asphalt Road | raLoki | B♭ Major | 1 | 6B | 167 BPM | ||
| Coffee Club | Aoife Ní Bhriain, Cormac McCarthy | D Major | 2 | 10B | 83 BPM | ||
| Rimbaud Gedicht | Bobo Stenson Trio | D♭ Minor | 3 | 12A | 138 BPM | ||
| Irgendwo auf der Welt | Philipp Maria Rosenberg, Florian Kolb, Jordi Pallarés Barberà | D Minor | 5 | 7A | 127 BPM | ||
| Molgan | Henning Ullén, Mauritz Agnas, Nils Agnas | F♯ Major | 3 | 2B | 138 BPM | ||
| The Lady In The Lake | Peter Erskine, Palle Danielsson, John Taylor | G Major | 2 | 9B | 152 BPM | ||
| Deadline | Henrik Hallberg, Klaus Gesing, Niklas Wennström, Johan Käck | D Major | 3 | 10B | 115 BPM |