Lalitya Munshaw's ' "Chandan Nu Parnu" was released on its scheduled release date, January 5, 2010. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Chandan Nu Parnu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lalitya Munshaw's "Halarda" album is number 5 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Chandan Nu Parnu is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Chandan Nu Parnu by Lalitya Munshaw to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Jeevan Aapni Prasadi | SRMD Bhakti, Neil-Niraj, Parth Gandhi | D Major | 3 | 10B | 129 BPM | ||
| Om Namah Shivaya Harmonies with Divine Flute n Bells n Heavenly Sounds | Vishal Khera | B♭ Major | 8 | 6B | 98 BPM | ||
| Juvo Juvo Ne Saheliyo Aaj | Geeta Rabari, Maulik Mehta | A♭ Major | 9 | 4B | 140 BPM | ||
| Chunar Dhani Dhara Orhe | Roopesh Jain, Ankur Jain Ank | A Minor | 9 | 8A | 98 BPM | ||
| Man Mandir Mein | Lata Mangeshkar | E♭ Major | 7 | 5B | 171 BPM | ||
| Ambe Maa Stuti | Gayatri Upadhyay | C Minor | 5 | 5A | 118 BPM | ||
| Charar Chakdol - Non Stop Garba | Vinod Rathod, Kishore Manraja, Lalitya Munshaw | F Minor | 9 | 4A | 136 BPM | ||
| Vanke Ambode Shreenathji | Utpal Jivrajani, Nidhi Dholakia | E♭ Major | 4 | 5B | 163 BPM | ||
| Kaary | Pawa | F Major | 8 | 7B | 85 BPM | ||
| Te To Mathi Mathi Fervi Mala | Kiran Prajapati | F♯ Major | 7 | 2B | 135 BPM | ||
| Paryushanam Vandanam | Roopesh Jain, Ankur Jain Ank | C Major | 8 | 8B | 120 BPM | ||
| Jay Jay Giriraj Kishori-Gauri Chopai | Trupti Dave | G Major | 4 | 9B | 129 BPM | ||
| O Shrinathji Aavjo Tame | Lalita Ghodadra | F Major | 6 | 7B | 125 BPM | ||
| Bhoothanaadha Sadhanandha - Ayyappa | Unnikrishnan, Haripriya, ANU, Rakshita | A Major | 4 | 11B | 105 BPM | ||
| Mara Ghatma Birajata Shrinathji | Ashit Desai, Hema Desai | D Major | 7 | 10B | 83 BPM | ||
| Swaminarayan Dhun | Jaydeep Swadia | D Minor | 5 | 7A | 124 BPM | ||
| Karpoor Gauram Karunaavataaram Sansaar Saaram | Sumeet Tappoo | D♭ Major | 3 | 3B | 105 BPM | ||
| Gnani Bal mate Halardu | Dada Bhagwan | G Major | 4 | 9B | 148 BPM | ||
| Anant Koti Brahmand Nayak | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| More Ghar | Hariharan, Lalitya Munshaw | D♭ Minor | 7 | 12A | 103 BPM | ||
| Maitri Bhavnu Pavitra | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| He Tane Jata Joi and 2 More | Parthiv Gohil, Lalitya Munshaw | A Major | 6 | 11B | 150 BPM | ||
| Mara Te Chitno | Lalitya Munshaw | E♭ Major | 6 | 5B | 139 BPM | ||
| Maghi Song Naya Sal Ho Hamar | Raj Kusmy, Sonu Qushmi | C Minor | 9 | 5A | 124 BPM |