"Flat Montage" by Stephen Rennicks had its release date on May 15, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 17 out of 31 in Conversations with Friends (Original Score from the Television Series) by Stephen Rennicks. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Flat Montage is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flat Montage by Stephen Rennicks is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mizuiro Memory (A.I. Version) | Aska Matsumiya | C Major | 1 | 8B | 60 BPM | ||
| Amaya's Theme - Version 2 | Ben Salisbury | F Major | 0 | 7B | 73 BPM | ||
| We Live Here | Christopher Bear, Daniel Rossen | E♭ Major | 3 | 5B | 94 BPM | ||
| Connell Messed Up | Stephen Rennicks | D Major | 0 | 10B | 147 BPM | ||
| 137 Riddle | Brendan Eder Ensemble | C Major | 3 | 8B | 137 BPM | ||
| Skreevar | Erland Cooper, Marta Salogni | A Minor | 4 | 8A | 128 BPM | ||
| Watching Connell Play | Stephen Rennicks | A Major | 1 | 11B | 76 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| Go | Will Bates | E♭ Major | 1 | 5B | 88 BPM | ||
| Sunrise Transition | Jeff Russo | B♭ Major | 0 | 6B | 68 BPM | ||
| Pink Moon | Demian Dorelli | E♭ Major | 1 | 5B | 125 BPM | ||
| New Wonder | Oliver Coates | E Major | 2 | 12B | 84 BPM | ||
| Let's Get Married | Keegan DeWitt, Leah Zeger | B Major | 2 | 1B | 148 BPM | ||
| Wild Grass II (for Robert Wyatt) | Arp, Anthony Moore | B♭ Major | 2 | 6B | 76 BPM | ||
| The Locked Room | Dario Marianelli | B Minor | 2 | 10A | 62 BPM | ||
| Letter to Pippa | Trevor Gureckis | F Minor | 1 | 4A | 127 BPM | ||
| Parasite | Demian Dorelli | A♭ Major | 1 | 4B | 65 BPM | ||
| Call Forward | John Gürtler, Jan Miserre | F♯ Major | 0 | 2B | 170 BPM | ||
| Alone | Phil Cook | B♭ Major | 0 | 6B | 54 BPM | ||
| Solêr | Otto A. Totland | E♭ Minor | 1 | 2A | 168 BPM | ||
| Over The Pines | Ben Sollee, Time For Three | D Major | 2 | 10B | 118 BPM | ||
| As If She Was Still Here | Anne Nikitin, Jessica Jones, Tim Morrish | E♭ Major | 2 | 5B | 165 BPM | ||
| The Fire This Time | Marisa Anderson | D Major | 2 | 10B | 150 BPM | ||
| Another Time, Another Place | Nat Bartsch, Joshua Teicher | B Major | 0 | 1B | 85 BPM | ||
| Painterly | Steve Gunn, David Moore, Bing & Ruth | E Minor | 2 | 9A | 79 BPM |