On October 14, 1994, the song "Painjal Baje Chham Chhama Chham" was released by Raghu Sahoo. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in Rabindra's "Mitha Pataa Seka Supari" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Painjal Baje Chham Chhama Chham is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Painjal Baje Chham Chhama Chham by Raghu Sahoo to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhumi Jhumi Jauchi | Shasank Sekhar | E Major | 8 | 12B | 116 BPM | ||
| Katakare Rati Nahi | Raghu Sahoo | D♭ Major | 7 | 3B | 167 BPM | ||
| Bhubaneshwariya Baba | Anjali Mishra | G Major | 6 | 9B | 176 BPM | ||
| Oleide Ghara Agana | Karuna kar | F Major | 8 | 7B | 127 BPM | ||
| Bandhu Galaa Galaa | Arabinda Muduli | B Minor | 9 | 10A | 175 BPM | ||
| Hi Mo Radha Ratisara Soinahin | Ira Mohanty | A♭ Major | 8 | 4B | 172 BPM | ||
| To Chaka Akhiru | Jayshri Shivram | B♭ Minor | 8 | 3A | 126 BPM | ||
| Aaji Mun Kahuchi | Babul Supriyo | A♭ Major | 7 | 4B | 115 BPM | ||
| Jeun Pada Tale Baliku Chapila | Mohamad Aziz | C Minor | 8 | 5A | 150 BPM | ||
| Radha Ranir Sange | Sailabhama Mohapatra | B Minor | 8 | 10A | 102 BPM | ||
| Baba Mani Tumaku Budeidela Luna Pani | Srikant Das | A♭ Major | 9 | 4B | 181 BPM | ||
| Are Aa Re | Tapu Mishra | B♭ Major | 8 | 6B | 80 BPM | ||
| Sahira Piley | Akshaya Mohanty | F Major | 3 | 7B | 116 BPM | ||
| Mate Kari De Re Nanda Lala | Kumar Janu Rout, Jagyanadutta Dash | F Minor | 8 | 4A | 116 BPM | ||
| Asa Kasa Baiga Krishna Ga | Surykant Shinde | A♭ Major | 6 | 4B | 145 BPM | ||
| Hruday Bharuni Aale Mazhe | Shakuntala Jadhav | E Major | 5 | 12B | 78 BPM | ||
| Mu To Premare | Udit Narayan, Priya Hemesh | D♭ Major | 8 | 3B | 98 BPM | ||
| Tham Tani Moray De | Satish Das | F Major | 2 | 7B | 118 BPM | ||
| Salakhi Chahani Taku | Sonu Nigam | A♭ Minor | 6 | 1A | 81 BPM | ||
| Parshva Jinanda Vama | Dilip Bafana | A♭ Major | 7 | 4B | 165 BPM | ||
| Balumamachya Darshanala | Shakuntala Jadhav | D Major | 6 | 10B | 79 BPM | ||
| Mu Ta Thili Ekutia | Suresh Wadkar | D♭ Minor | 4 | 12A | 140 BPM | ||
| Jete Tu Paruchhu De Re Dukha | Sricharan Mohanty | A♭ Minor | 8 | 1A | 146 BPM | ||
| O Dayal Thakur | Amrik Singh Arora | F♯ Major | 5 | 2B | 78 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM |