"Death" by Ricky Ian Gordon had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Orpheus & Euridice: A Song Cycle in Two Acts". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Death is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Death by Ricky Ian Gordon having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Run Away | Ricky Ian Gordon | F Major | 2 | 7B | 182 BPM | ||
| The Carnival: How Glory Goes | Adam Guettel | B♭ Major | 2 | 6B | 171 BPM | ||
| Emily — No Prisoner Be: No. 10, I reason, Earth is short | Kevin Puts, Time For Three, Joyce DiDonato | G Major | 2 | 9B | 74 BPM | ||
| Broken Souls | wangyaolong | G Major | 2 | 9B | 74 BPM | ||
| Troubled Woman | Ricky Ian Gordon, Nicole Cabell | A Minor | 1 | 8A | 169 BPM | ||
| There Won't Be Trumpets | Lee Remick | F Major | 4 | 7B | 76 BPM | ||
| The Bustle in a House | Jennifer Zetlan, Ricky Ian Gordon | B♭ Major | 2 | 6B | 74 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Our Children | Marin Mazzie, Peter Friedman | B Minor | 1 | 10A | 82 BPM | ||
| How Happy Is the Little Stone | Jennifer Zetlan, Ricky Ian Gordon | G Major | 2 | 9B | 90 BPM | ||
| I Shoulda Stayed Back Home / Don't You Fret None, Little One | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | D Major | 2 | 10B | 90 BPM | ||
| Here Comes The Morning | Iain Glen, Matt Rawle | F♯ Major | 2 | 2B | 62 BPM | ||
| Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
| The Red Dress | Ricky Ian Gordon | A Major | 1 | 11B | 117 BPM | ||
| Le Rossignol des lilas | Reynaldo Hahn, Susan Graham | A♭ Major | 1 | 4B | 70 BPM | ||
| Vilia from "The Merry Widow" | Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson | C Major | 2 | 8B | 96 BPM | ||
| The Fire in the Orchard / Ants on the Highway | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | A Major | 5 | 11B | 70 BPM | ||
| Stars | Ricky Ian Gordon, Nicole Cabell | G Minor | 1 | 6A | 79 BPM | ||
| Is It Really Me? | Harvey Schmidt, Tom Jones, Audra McDonald, Steve Kazee | C Major | 1 | 8B | 96 BPM | ||
| Songs of Travel: Youth and Love | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | G Major | 0 | 9B | 167 BPM | ||
| You're Gonna Love Tomorrow / Love Will See Us Through - Medley | Fred Haig, Zizi Strallen, Alex Young, Adam Rhys-Charles | F♯ Major | 4 | 2B | 81 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| Come to Me, Bend to Me | Ross Lekites | G Major | 2 | 9B | 87 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM |