Pawan Singh's ' "Lach Lach Lachke Dadhiya" was released on its scheduled release date, September 9, 2019. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pawan Singh's "Meri Maa" album is number 2 out of 4. On top of that, India appears to be the country where this track was created. Based on our statistics, Lach Lach Lachke Dadhiya's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lach Lach Lachke Dadhiya by Pawan Singh to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tunak Tunak Tun Tunna | Samar Singh, Neha Kushwaha | B♭ Minor | 10 | 3A | 115 BPM | ||
| Raate Balamua Dehle Gari Ho, Tarkari Ke | Kalpana, Ansu Singh | B♭ Minor | 9 | 3A | 112 BPM | ||
| Mehraru Milal Gaay | Pawan Singh, Shivani Singh | B Major | 10 | 1B | 130 BPM | ||
| Patare Balamuwa | Pramod Premi Yadav | D♭ Minor | 10 | 12A | 132 BPM | ||
| Desi Bhatar | Pramod Premi Yadav | D♭ Major | 6 | 3B | 110 BPM | ||
| Bhatar Milal Bhola | Shivani Singh | G Minor | 10 | 6A | 125 BPM | ||
| Chhatiya Pathar Ke ge Sona | Aashish Yadav | D♭ Minor | 9 | 12A | 123 BPM | ||
| Saiya Davatare | Samar Singh, Shilpi Raj | D♭ Minor | 10 | 12A | 127 BPM | ||
| Taak Detu Chhoti Ta Mar Jaiyiti | Golu Gold | B Major | 10 | 1B | 142 BPM | ||
| Ja Ja Aey Sanam Harjayee | Alok Kumar | F♯ Minor | 10 | 11A | 130 BPM | ||
| Aata Sane Gailu Ta Gil Kai Dihalu | Pawan Singh, Indu Sonali | B♭ Minor | 9 | 3A | 140 BPM | ||
| Mai 300 Me Bikne Lagi | Raushan Rohi, Anjali Bharti | C Minor | 10 | 5A | 89 BPM | ||
| Maroon Color Sadiya - From "Fasal" | Neelkamal Singh, Kalpana Patowary, Om Jha | C Major | 9 | 8B | 75 BPM | ||
| Hum Haeen Piya Ji Ke Patar Tiriywa - From "Patna Se Pakistan" | Kalpana Patowary, Dinesh Lal Yadav | G Minor | 9 | 6A | 102 BPM | ||
| Mere Duble Piya | Akshara Singh | A♭ Minor | 9 | 1A | 174 BPM | ||
| Current | Payal Dev, Pawan Singh, Mohsin Shaikh | A♭ Minor | 9 | 1A | 130 BPM | ||
| Raja Raja Raja Kareja Me Sama Ja | Mohan Rathore | C Minor | 10 | 5A | 156 BPM | ||
| Kamar Dabaadi | Pawan Singh, Shilpi Raj | D♭ Minor | 10 | 12A | 130 BPM | ||
| Mann Kare Pagal Ho Jayiti | Neel Kamal Singh | F♯ Major | 9 | 2B | 120 BPM | ||
| Bechi Ke Jewar | Shivani Singh | F♯ Minor | 8 | 11A | 123 BPM | ||
| Tohar Katil Ba Figure | Arvind Akela Kallu Ji, Priyanshu Singh | E♭ Minor | 8 | 2A | 106 BPM | ||
| Peni Me Chheni | Awadhesh Premi Yadav | A♭ Minor | 10 | 1A | 77 BPM | ||
| E Parampara Ahir Ke Hate | Tuntun Yadav | F Minor | 10 | 4A | 127 BPM | ||
| Chhotki Bahuriya | Indu Sonali | A♭ Major | 9 | 4B | 190 BPM | ||
| Palang Majabut | Ankush Raja, Shivani Singh | B Minor | 9 | 10A | 132 BPM |