"Meditatum II" by Urfaust had its release date on October 28, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 6 in Empty Space Meditation by Urfaust. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Meditatum II's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Meditatum II by Urfaust is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nihil Sine Polum | Drastus | G Major | 8 | 9B | 115 BPM | ||
| Kalabhairava | Urfaust | C Major | 6 | 8B | 84 BPM | ||
| Dødskamp | 1349 | E Minor | 9 | 9A | 105 BPM | ||
| Mountain Magick | Wolves In The Throne Room | G Minor | 9 | 6A | 167 BPM | ||
| Je n’ai plus que les os | Nordicwinter | E♭ Minor | 8 | 2A | 176 BPM | ||
| Chimerical Hope | Schammasch | A♭ Major | 10 | 4B | 148 BPM | ||
| Sol Ascending | Svartidaudi | D Major | 10 | 10B | 144 BPM | ||
| Natus Eclipsim | Uada | A Minor | 10 | 8A | 181 BPM | ||
| Forlorn Astral Ruins | Almyrkvi | D♭ Minor | 9 | 12A | 140 BPM | ||
| When Death Comes Crawling | Midnight Odyssey | A Minor | 10 | 8A | 135 BPM | ||
| The Song of Hammers | Nocternity | C Major | 9 | 8B | 100 BPM | ||
| Womb of emptiness | ColdWorld | B Minor | 6 | 10A | 160 BPM | ||
| The Depths | Faidra | A Major | 8 | 11B | 90 BPM | ||
| Promethean Fire | Panzerfaust | E♭ Minor | 8 | 2A | 135 BPM | ||
| Naglfar | Isengard | D Major | 9 | 10B | 110 BPM | ||
| Residual Blight | Kriegsmaschine | F♯ Major | 10 | 2B | 125 BPM | ||
| Doubles from Nové Mĕsto | Gary Lucas, Urfaust, Richard Mader | A Major | 4 | 11B | 136 BPM | ||
| Nebeleste | Blut Aus Nord | F Major | 10 | 7B | 150 BPM | ||
| Escape | Germ | B Minor | 9 | 10A | 116 BPM | ||
| Trail of Conscience of the Dead | Urfaust | D Major | 6 | 10B | 83 BPM | ||
| Untergang | Urfaust | B Major | 10 | 1B | 102 BPM | ||
| Life Escaping Through the Candle's Smoke | Departure Chandelier | F Major | 10 | 7B | 129 BPM | ||
| Heliacal Rising | Mare Cognitum | C Major | 10 | 8B | 151 BPM | ||
| Wildkatze | Slagmaur | F Major | 9 | 7B | 150 BPM | ||
| Mirrors In a Black Room | Ultha | E♭ Major | 5 | 5B | 118 BPM |