Data's 'Model' had a release date set for April 6, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 11 in Album by Data. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Model is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Model by Data is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Don't Know What It Is | Pete Shelley | E Major | 9 | 12B | 128 BPM | ||
| W.Y.H.I.W.Y.G. | Front 242 | E Major | 8 | 12B | 123 BPM | ||
| Walking In the Neon - Dub Version | Peter Richard | B♭ Minor | 5 | 3A | 134 BPM | ||
| Doors of Perception | Data | F Minor | 4 | 4A | 140 BPM | ||
| I'm Your Money | Heaven 17 | D Major | 8 | 10B | 122 BPM | ||
| Frozen Faces - Stephen Lipson's Digital Variation | Propaganda | D Major | 5 | 10B | 121 BPM | ||
| Mr. X - 2008 Remaster | Ultravox | E♭ Major | 7 | 5B | 160 BPM | ||
| Gordon's Gin - 2003 Digital Remaster | The Human League | A Minor | 8 | 8A | 142 BPM | ||
| I Dream of Wires | Gary Numan | A Minor | 4 | 8A | 104 BPM | ||
| Don't Argue | Cabaret Voltaire | D♭ Major | 7 | 3B | 112 BPM | ||
| I Wanna Fight | Pete Jones | D Minor | 8 | 7A | 120 BPM | ||
| Work for Love | Ministry | A Minor | 6 | 8A | 108 BPM | ||
| A-O (No Bungalow) | Data | G Major | 9 | 9B | 116 BPM | ||
| Victim | Starter | D♭ Major | 9 | 3B | 121 BPM | ||
| The Dignity Of Labour (Part 1) - 2003 Digital Remaster | The Human League | C Minor | 7 | 5A | 143 BPM | ||
| Heart Beat | Blue Miragee | F Major | 6 | 7B | 157 BPM | ||
| Hollywood | Parade Ground | A Minor | 7 | 8A | 130 BPM | ||
| A Man Could Get Lost | Soft Cell | B Minor | 8 | 10A | 137 BPM | ||
| Luna Square | Boytronic | A Minor | 9 | 8A | 156 BPM | ||
| I Love Me | Robert Görl | G Major | 6 | 9B | 127 BPM | ||
| Blue Hotel | Lene Lovich | B Minor | 9 | 10A | 156 BPM | ||
| Proximity Switch | Informatics | B♭ Minor | 9 | 3A | 119 BPM | ||
| Lucky Charm (Medora Road Version) | Hard Corps | B Minor | 7 | 10A | 129 BPM | ||
| New Decision | Manufacture | B♭ Minor | 8 | 3A | 120 BPM | ||
| That's Love, That It Is | Blancmange | B Minor | 7 | 10A | 139 BPM |