Ustad Bismillahkhan's ' "Shudh Sarang - Instrumental" was released on its scheduled release date, December 1, 1987. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 7 in Bismillah Khan - Various Ragas by Ustad Bismillahkhan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Shudh Sarang - Instrumental is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Shudh Sarang - Instrumental by Ustad Bismillahkhan is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ma Kali Stuti (Raga Bhoop Kalyan), Vinay Patrika | Pandit Chhannulal Mishra | B♭ Minor | 5 | 3A | 128 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Raagmala 1 [Goonj Uthi Shehnai (1959)] - Utd Amir Khan & Utd Bismillah Khan | Amir Khan, Ustad Bismillahkhan, Party | G Major | 3 | 9B | 84 BPM | ||
| Dilka Khilauna Haay Toot Gaya[Goonj Uthi Shehnai] - Ustad Bismillah Khan & Party | Ustad Bismillahkhan | G Major | 5 | 9B | 92 BPM | ||
| Shudha Sarang - Ustad Bismillah Khan | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 178 BPM | ||
| Mangalam | Ranjani, Gayathri | A Major | 8 | 11B | 130 BPM | ||
| Yaman - Ustad Bismillah Khan | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 178 BPM | ||
| Behaag Thillana | Jayanthi Kumaresh | E Major | 5 | 12B | 116 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Bantu Reethi | Tyagaraja | B♭ Major | 7 | 6B | 107 BPM | ||
| Shehnai Raag - Yaman | Ustad Bismillahkhan | A Major | 6 | 11B | 105 BPM | ||
| Jog | Vanraj Shastri | D Major | 1 | 10B | 160 BPM | ||
| Muddhu Momu - Flute | N. Ramani | A♭ Major | 5 | 4B | 92 BPM | ||
| Kahan Kahan Jaoon - Megh | Pravin Godkhindi, Madhusudan, Arun Sukumar, Shabbir | G Minor | 6 | 6A | 117 BPM | ||
| Nagumomu | A. Kanyakumari | F♯ Minor | 6 | 11A | 124 BPM | ||
| Endaro Mahanubhavulu - Sri - Adi | Rajhesh Vaidhya, Tyagaraja | A Minor | 8 | 8A | 158 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| Ambala (India) 1987 - Tintal | Zakir Hussain & Sultan Khan | B Minor | 8 | 10A | 160 BPM | ||
| Raghuvamsa Sudha: Kadanakuthuhalam - Aadi - Patnam Subrahmania Iyer | Patnam Subramania Iyer, U. Srinivas | B Major | 6 | 1B | 102 BPM | ||
| Prabha Gaan | Sounds of Optimism, Deepesh Sanmal | C Major | 1 | 8B | 87 BPM | ||
| Raga kirvani : Pallavî | L. Subramaniam | B Major | 6 | 1B | 166 BPM | ||
| Temple Bells & Mridangam | Kuldeep Shukla | G Major | 5 | 9B | 100 BPM | ||
| Cogadt ar Chogai | Koradan | D Minor | 5 | 7A | 115 BPM | ||
| Tamburi Meetidava (Instrumental) | Peri Thyagaraju | F Major | 5 | 7B | 150 BPM | ||
| Mishra Khamaj | Bismillah Khan | D Major | 5 | 10B | 168 BPM |