Chip Taylor's 'Worthy Bastards' had a release date set for February 13, 2026. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Worthy Bastards's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Words from Holy Gardens by Chip Taylor. The song's track number on the album is #1 out of 12 tracks. Based on our statistics, Worthy Bastards's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Worthy Bastards by Chip Taylor has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Worthy Bastards being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tonight Will Be Fine | Teddy Thompson | F♯ Major | 4 | 2B | 84 BPM | ||
| Out in the Blue | Son Of The Velvet Rat, The Ghost And The Machine | F Major | 6 | 7B | 116 BPM | ||
| For The Memory | Michael Waters | F Major | 2 | 7B | 136 BPM | ||
| Big Friday | Will Oldham | D Major | 3 | 10B | 125 BPM | ||
| Parachutes | Ian David Green | B Major | 2 | 1B | 119 BPM | ||
| Spooking the Horses | Mike McCullough | D Major | 2 | 10B | 117 BPM | ||
| Peace | Steve the Trailplayer | G Major | 2 | 9B | 106 BPM | ||
| San Francisco Day | John Tiller | D Major | 6 | 10B | 105 BPM | ||
| Battlefield Earth | Armin F. | G Major | 6 | 9B | 130 BPM | ||
| Between The Daylight And The Dark | Mary Gauthier | E Major | 3 | 12B | 122 BPM | ||
| The Bottom of the World | Bottom of the World | E Major | 8 | 12B | 176 BPM | ||
| Gone Aground | Daniel Kahn, Jake Shulman-Ment, Christian Dawid | D Minor | 2 | 7A | 109 BPM | ||
| above all else | steve denvermoore | C Major | 4 | 8B | 91 BPM | ||
| Good Love Last Night | Chip Taylor | A♭ Major | 1 | 4B | 132 BPM | ||
| What I'd Been Waiting For | Christian Rutledge | A Major | 3 | 11B | 87 BPM | ||
| Words from Long Ago | Chip Taylor | G Major | 6 | 9B | 130 BPM | ||
| Hey Google | Paul O'brien | D Major | 2 | 10B | 75 BPM | ||
| A Way Backhome | Allan Taylor, Jacob Dinesen, Hans-Joerg Maucksch, Lea Morris | B Major | 4 | 1B | 157 BPM | ||
| DESOLATION ROAD | Lars Glaso | C Major | 3 | 8B | 100 BPM | ||
| Heart of Stone | Geraint Watkins | A Major | 6 | 11B | 122 BPM | ||
| DecoDance 1975 | Elliott Murphy | E Minor | 5 | 9A | 118 BPM | ||
| Maritza or Somebody | Chip Taylor | G Major | 6 | 9B | 130 BPM | ||
| Can´t Stop Laughing | Andi Almqvist | G Major | 6 | 9B | 130 BPM | ||
| carry the load | Stephen Pettymoore | E♭ Major | 7 | 5B | 125 BPM | ||
| Final Shadow | Austin Carreys | G Major | 6 | 9B | 130 BPM |