Giuseppe Verdi, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic's ' "Verdi: Rigoletto, Act 3: "La donna è mobile" (Live)" was released on its scheduled release date, August 1, 1994. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Verdi: Rigoletto, Act 3: "La donna è mobile" (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Verdi: Rigoletto, Act 3: "La donna è mobile" (Live) is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Verdi: Rigoletto, Act 3: "La donna è mobile" (Live) by Giuseppe Verdi, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | D Minor | 2 | 7A | 121 BPM | ||
| Largo al factotum from The Barber of Seville (1959 - historic recording) | US Marine Band, Gioachino Rossini, William Jones | B♭ Major | 3 | 6B | 77 BPM | ||
| Lara / Arr. Hayes: Granada (Live) | Agustín Lara, Plácido Domingo, Zubin Mehta, Los Angeles Philharmonic | D Major | 4 | 10B | 83 BPM | ||
| La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
| I racconti di Hoffmann: Barcarola - La vita è bella | Compagnia d'Opera Italiana di Milano, Choir of Compagnia d'Opera Italiana | D Major | 3 | 10B | 126 BPM | ||
| Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | E♭ Major | 3 | 5B | 87 BPM | ||
| Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | B Major | 3 | 1B | 93 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | C Minor | 2 | 5A | 185 BPM | ||
| Brown / Arr Schifrin: A Tribute to Hollywood Part 4: Singin' in the Rain - Singin' In The Rain | The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 6 | 6B | 140 BPM | ||
| Coro de los Gitanos de Il Trovatore (De "Una Noche en la Opera") | The Oscar's Orchestra | G Major | 2 | 9B | 135 BPM | ||
| 'O sole mio | Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | A♭ Major | 5 | 4B | 85 BPM | ||
| Amapola | Alfredo Kraus | E♭ Major | 3 | 5B | 87 BPM | ||
| La traviata: Libiamo ne'lieti calici | Giuseppe Verdi, Anna Netrebko, Yusif Eyvazov, The City of Prague Philharmonic Choir, Miriam Nemcova, Royal Philharmonic Orchestra, Jader Bignamini | B♭ Major | 2 | 6B | 212 BPM | ||
| Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
| La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 83 BPM | ||
| De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| Le nozze di Figaro, K. 492, Act I: No. 10, Non più andrai | Wolfgang Amadeus Mozart, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | G Major | 2 | 9B | 134 BPM | ||
| Revaux & François / Arr Schifrin: A Tribute to Hollywood Part 1: My Way | Claude François, Jacques Revaux, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 2 | 7B | 134 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
| Gianni Schicchi: Act I - "O mio babbino caro" | Czech Symphony Orchestra, Julian Bigg, Susan McCulloch | A♭ Major | 2 | 4B | 169 BPM | ||
| Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln | D Major | 1 | 10B | 142 BPM | ||
| Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| Parla più piano | Nino Rota, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM |