"Warm Night on the Cold Front" by Hilyard had its release date on November 7, 2016. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The song is number 4 out of 7 in Asleep in Amber by Hilyard. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Warm Night on the Cold Front is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Warm Night on the Cold Front by Hilyard is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dawn III | Erinome | G Major | 5 | 9B | 141 BPM | ||
| Time Being | Time Being | D Major | 2 | 10B | 65 BPM | ||
| Desire | Ex Confusion | B Major | 0 | 1B | 76 BPM | ||
| Murmuration III | Pausal | G Minor | 3 | 6A | 68 BPM | ||
| Ica | Manual | D Minor | 2 | 7A | 128 BPM | ||
| All Alright | Ex Confusion | D♭ Major | 0 | 3B | 69 BPM | ||
| Altars of Warflesh | Hilyard | A♭ Minor | 2 | 1A | 83 BPM | ||
| Broken Stars Through Brilliant Clouds | Numina, Zero Ohms | D♭ Major | 5 | 3B | 70 BPM | ||
| Blur (Hilyard remix) | Sachi Kobayashi, Hilyard | E♭ Minor | 1 | 2A | 146 BPM | ||
| Cognition | Gallery Six | F Minor | 1 | 4A | 125 BPM | ||
| The Architecture of Clouds | Innesti | B♭ Minor | 10 | 3A | 120 BPM | ||
| Do Not Go to the Medical Deck | kwajbasket | B♭ Major | 1 | 6B | 71 BPM | ||
| The Gentleman, Pt. 5 | kwajbasket | B♭ Major | 0 | 6B | 126 BPM | ||
| Ovo | Hilyard | E♭ Minor | 1 | 2A | 95 BPM | ||
| a decade | awakened souls | D Major | 1 | 10B | 94 BPM | ||
| Evening Vapor | Hilyard | B Minor | 1 | 10A | 141 BPM | ||
| Selva Oscura 1.1 | William Basinski, Lawrence English | B♭ Major | 2 | 6B | 141 BPM | ||
| You've Been Gone Longer Than I Knew You | Adam Pacione | E Major | 2 | 12B | 65 BPM | ||
| Folly | The Humble Bee, Benoît Pioulard | F♯ Major | 2 | 2B | 144 BPM | ||
| Aerosphere | Igneous Flame | B Minor | 3 | 10A | 118 BPM | ||
| Mizore | Gallery Six | E♭ Minor | 2 | 2A | 111 BPM | ||
| Ghosts on Monaro | Alonefold | F♯ Major | 0 | 2B | 80 BPM | ||
| Return | Christopher Willits | D Major | 1 | 10B | 85 BPM | ||
| Stereoscenic | Koen Daigaku | B Minor | 0 | 10A | 68 BPM | ||
| The Gentleman, Pt. 8 | kwajbasket | E Major | 0 | 12B | 71 BPM |