On January 1, 2006, the song "The World Needs A Drink" was released by Terri Clark. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Best Of Terri Clark 20th Century Masters The Millennium Collection". In this album, this song's track order is #12. In terms of popularity, The World Needs A Drink is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The World Needs A Drink by Terri Clark having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nothin' But The Taillights | Clint Black | G Major | 8 | 9B | 155 BPM | ||
| Sure Enough | Chris Cummings | E♭ Major | 9 | 5B | 135 BPM | ||
| That's The Kind Of Mood I'm In | Patty Loveless | B Major | 7 | 1B | 126 BPM | ||
| Bye-Bye | Jo Dee Messina | B♭ Major | 9 | 6B | 134 BPM | ||
| Billy The Kid | Billy Dean | D Major | 6 | 10B | 169 BPM | ||
| I Wouldn't Have It Any Other Way | Aaron Tippin | D♭ Major | 9 | 3B | 176 BPM | ||
| Buckaroo | Lee Ann Womack | D Major | 8 | 10B | 152 BPM | ||
| Take That | Lisa Brokop | A Major | 5 | 11B | 105 BPM | ||
| Give A Little Love | The Judds | C Major | 5 | 8B | 91 BPM | ||
| I Try to Think About Elvis | Patty Loveless | B Major | 7 | 1B | 161 BPM | ||
| Lovin' All Night | Patty Loveless | E Minor | 8 | 9A | 172 BPM | ||
| In My Next Life | Terri Clark | G Major | 8 | 9B | 116 BPM | ||
| Liza Jane | Vince Gill | E Minor | 9 | 9A | 91 BPM | ||
| Podunk | Keith Anderson | G Major | 9 | 9B | 102 BPM | ||
| Texas Plates | Kellie Coffey | F♯ Major | 9 | 2B | 139 BPM | ||
| Betty's Got A Bass Boat | Pam Tillis | B Major | 9 | 1B | 128 BPM | ||
| In a Week or Two | Diamond Rio | D Major | 3 | 10B | 145 BPM | ||
| Too Good to Be True | Michael Peterson | G Major | 7 | 9B | 172 BPM | ||
| I'll Think Of A Reason Later | Lee Ann Womack | E♭ Major | 8 | 5B | 142 BPM | ||
| Don't Tell Me What To Do | Pam Tillis | G Major | 8 | 9B | 132 BPM | ||
| Just Once | David Lee Murphy | D Major | 7 | 10B | 156 BPM | ||
| Still Got Yesterday | Emerson Drive | D Major | 9 | 10B | 145 BPM | ||
| Love On The Loose, Heart On The Run | McBride & The Ride | A Major | 7 | 11B | 118 BPM | ||
| Eighteen Wheels And A Dozen Roses | Kathy Mattea | A♭ Major | 6 | 4B | 139 BPM | ||
| You've Got To Talk To Me | Lee Ann Womack | B Major | 8 | 1B | 111 BPM |