Steve Reich's ' "Music for 18 Musicians: Section VI" was released on its scheduled release date, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Steve Reich's "Music for 18 Musicians" album is number 8 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Music for 18 Musicians: Section VI is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Music for 18 Musicians: Section VI by Steve Reich to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Line Extension | Oval | D♭ Minor | 4 | 12A | 109 BPM | ||
| Waterland | Gigi Masin | A♭ Minor | 0 | 1A | 132 BPM | ||
| VARIATION: III (2024 Remaster) | Masashi Kitamura + Phonogenix | C Major | 3 | 8B | 93 BPM | ||
| Starwood Choker | Bing & Ruth | B Major | 2 | 1B | 74 BPM | ||
| Persepolis #3 | Iannis Xenakis | D♭ Major | 7 | 3B | 94 BPM | ||
| For Bunita Marcus: Beginning-M. 289 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 67 BPM | ||
| The Dance No. 1 | Laraaji, Brian Eno | F♯ Minor | 9 | 11A | 118 BPM | ||
| Will We Be There | David Moore | C Minor | 1 | 5A | 141 BPM | ||
| Helix | Kelly Moran | A Minor | 7 | 8A | 89 BPM | ||
| Shaker Loops: III. Loops and Verses | John Adams | G Minor | 2 | 6A | 85 BPM | ||
| Hagoromo | Susumu Yokota | F♯ Major | 3 | 2B | 104 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM | ||
| Shisheido | Fennesz | A Major | 3 | 11B | 120 BPM | ||
| Humectez La Mouture | Stars Of The Lid | E Major | 0 | 12B | 68 BPM | ||
| Across the Lake of the Ancient World | Terry Riley | B Minor | 1 | 10A | 55 BPM | ||
| Feedback Zwei | Keith Fullerton Whitman | D Major | 0 | 10B | 0 BPM | ||
| data.vortex | Ryoji Ikeda | A Major | 4 | 11B | 86 BPM | ||
| Apreludes (In C Sharp Major) | Stars Of The Lid | D♭ Major | 0 | 3B | 138 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| Plays Cornelius Cardew 1 | Ekkehard Ehlers | D♭ Major | 3 | 3B | 125 BPM | ||
| Oil | Brian Eno, Moebius, Roedelius | B♭ Minor | 1 | 3A | 83 BPM | ||
| Movement 1 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| The Cave, Act 1 Scene 14: Interior of the Cave | Steve Reich, The Steve Reich Ensemble, Paul Hillier, Cheryl Bensman-Rowe, Hugo Munday, James Bassi, Marion Beckenstein | G Major | 0 | 9B | 127 BPM | ||
| Almost Always is Nearly Enough | Tortoise | D♭ Major | 6 | 3B | 107 BPM | ||
| Got To Move On | Fennesz | F♯ Major | 6 | 2B | 104 BPM |