S. P. Balasubrahmanyam's 'Nithya Anandakaree' had a release date set for March 10, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nag Sreevascha's "Jagadguru Aadi Shankara" album is number 12 out of 15. On top of that, India appears to be the country where this track was created. In terms of popularity, Nithya Anandakaree is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nithya Anandakaree by S. P. Balasubrahmanyam to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Muthyalaharathi | Sahithi, Geetha Madhuri, Sri Soumya, Ramya Behara, M. M. Keeravaani, Vengamamba | F Major | 3 | 7B | 143 BPM | ||
| Veenula Vindaina | S. P. Balasubrahmanyam | F♯ Minor | 5 | 11A | 151 BPM | ||
| Addabottu | Kumara Swamy | D♭ Major | 9 | 3B | 112 BPM | ||
| Hejje Mele Hejje Ittu | S. P. Balasubrahmanyam | C Minor | 6 | 5A | 164 BPM | ||
| Vijayalakshmi Karuninchu | Gopika Poornima,Kusuma | G Major | 5 | 9B | 147 BPM | ||
| Ramayya Kalyanam | Anil Kumar | G Major | 8 | 9B | 116 BPM | ||
| Railu Katta Cooleke | Earanaguru Anjaneyulu, Vandana Palamuru | F♯ Minor | 9 | 11A | 65 BPM | ||
| Kanne Swamynayya | Narsing Rao | E♭ Major | 9 | 5B | 75 BPM | ||
| Pattuchera Kattukuna | A.Devayya | D♭ Major | 6 | 3B | 95 BPM | ||
| Prabho Sri Gananatha | Mano | F♯ Major | 6 | 2B | 115 BPM | ||
| Anni Mantra | Malavika, M. M. Keeravaani, Annamayya Keerthana | G Major | 4 | 9B | 90 BPM | ||
| Pidikita Thalambralu | Gopika Poornima | F Major | 5 | 7B | 89 BPM | ||
| Kaiyila Kaasu | V.S. Narasimhan, S. P. Balasubrahmanyam | A Major | 5 | 11B | 170 BPM | ||
| Gana Gana Gantalu | Anil | B Major | 4 | 1B | 97 BPM | ||
| Aathmiyuda | Thandri Sannidhi Ministries | F♯ Minor | 7 | 11A | 92 BPM | ||
| Sri Kantarpita (Bramarambika Stotram) | Surekha Murthy | E♭ Minor | 6 | 2A | 130 BPM | ||
| MaaSai | S. P. Balasubrahmanyam | A Minor | 4 | 8A | 121 BPM | ||
| Annavaram Manasasmarami | Parupalli Ranganadh | G Minor | 6 | 6A | 180 BPM | ||
| Maanasa Sancharare | S. P. Balasubrahmanyam | G Minor | 5 | 6A | 88 BPM | ||
| Manideepa Varnana | Sriramachandra Murthy, Lasya Mayuka, Thadepalli Srivani | F Minor | 7 | 4A | 140 BPM | ||
| Sri Dhairya Lakshmi | Gopika Poornima | F Minor | 6 | 4A | 179 BPM | ||
| Lingastakam-Brama Murari Surarchita Lingam | Kumar Swamy | G Minor | 6 | 6A | 120 BPM | ||
| Kruthajnatha | Symphony Music, A R Stevenson | D Major | 5 | 10B | 95 BPM | ||
| Kondalalo Nelakonna | Annamayya Keerthana, S. P. Balasubrahmanyam | F Major | 7 | 7B | 78 BPM | ||
| Baba Charanam | S. P. Balasubrahmanyam | F♯ Minor | 3 | 11A | 135 BPM |