On January 1, 1975, the song "Dirty Work at the Cross Roads" was released by Sam Fonteyn. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Fonteyn's "Kpm 1000 Series: Silent Movies (Volume 1)" album is number 25 out of 40. In terms of popularity, Dirty Work at the Cross Roads is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dirty Work at the Cross Roads by Sam Fonteyn to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prestige Production | Neil Richardson | F Minor | 6 | 4A | 112 BPM | ||
| Another Happening | Neil Richardson | F Minor | 5 | 4A | 124 BPM | ||
| Am I on Time | Muzak Orchestra | D♭ Major | 6 | 3B | 111 BPM | ||
| Manhattan Spiritual | Reg Owen | A♭ Major | 4 | 4B | 98 BPM | ||
| Happy Feet | Alan Moorhouse | F Major | 3 | 7B | 106 BPM | ||
| Mister Charles | Sid Phillips | B♭ Major | 6 | 6B | 191 BPM | ||
| Samba De Orfeu - Remastered | Ray Anthony | D♭ Major | 4 | 3B | 93 BPM | ||
| Studio 69 | Alan Hawkshaw | F Minor | 6 | 4A | 106 BPM | ||
| Main Title from "The Silencers" | Elmer Bernstein | B♭ Minor | 7 | 3A | 78 BPM | ||
| Laura / More | Denny McLain | G Major | 4 | 9B | 99 BPM | ||
| Bluesrider | Standard Music Library, Sam Fonteyn | E♭ Minor | 4 | 2A | 134 BPM | ||
| The Sound Heard Round the World | Muzak Orchestra | F Major | 4 | 7B | 160 BPM | ||
| Trendsetters | Sam Fonteyn | G Major | 5 | 9B | 122 BPM | ||
| Light Flight | Les Elgart, Larry Elgart | D Minor | 3 | 7A | 144 BPM | ||
| By the Wayside | Ritchie Everett | E♭ Major | 2 | 5B | 80 BPM | ||
| Window Shopping in New York | The Fly Guy Five | G Major | 5 | 9B | 200 BPM | ||
| Springtime in Paris | Tony Osborne | C Major | 4 | 8B | 91 BPM | ||
| West Side Blues | John Cameron | F Major | 2 | 7B | 67 BPM | ||
| Movin' At Midnight - Remastered | Sir Julian Gould | B♭ Major | 3 | 6B | 124 BPM | ||
| Medley: Paris Montage | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 88 BPM | ||
| Alone at Last | Syd Dale | F♯ Major | 5 | 2B | 120 BPM | ||
| Pop Looks Bach | Sam Fonteyn, Ensemble de Cuivres Mélodia | B♭ Major | 4 | 6B | 89 BPM | ||
| The Odd Couple Main Title | Neal Hefti | F Minor | 3 | 4A | 126 BPM | ||
| Put on a Happy Face | Victor Silvester and his Silver Strings | B♭ Major | 3 | 6B | 100 BPM | ||
| Regency Buck | Sam Fonteyn | B♭ Major | 1 | 6B | 0 BPM |