Art Hodes, Pee Wee Russell, Muggsy Spanier, Miff Mole, Pops Foster, George Wettling's 'How Come You Do Me Like You Do?' had a release date set for January 1, 1960. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Jazz of the Forties, Vol. 1: Jazz at Town Hall" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. In terms of popularity, How Come You Do Me Like You Do? is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Come You Do Me Like You Do? by Art Hodes, Pee Wee Russell, Muggsy Spanier, Miff Mole, Pops Foster, George Wettling to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eh, La Bas | Kid Ory | B♭ Major | 6 | 6B | 109 BPM | ||
| After You've Gone | Art Hodes | E♭ Major | 5 | 5B | 118 BPM | ||
| Frozen Toes Boogie | Miltons soul | D♭ Major | 3 | 3B | 119 BPM | ||
| Buzzard's Parade | Sharkey Bonano | C Major | 5 | 8B | 206 BPM | ||
| Things Ain't What They Used To Be | Paul Gonsalves | B♭ Minor | 5 | 3A | 123 BPM | ||
| Listen to the Mockingbird | George Lewis | F Major | 5 | 7B | 110 BPM | ||
| Raise Your Eyes Up | Steve Yocum | B♭ Major | 4 | 6B | 80 BPM | ||
| Avalon - Take 2 | Benny Goodman Quartet | C Minor | 4 | 5A | 121 BPM | ||
| The Buzzard | Bud Freeman and his Windy City Five | E♭ Minor | 4 | 2A | 114 BPM | ||
| Flow Gently, Sweet Afton | Wilbur De Paris | B♭ Major | 3 | 6B | 177 BPM | ||
| Hotter Than 'ell | Fletcher Henderson | F Major | 5 | 7B | 142 BPM | ||
| College Holiday I Adore You | Henry "Red" Allen | D♭ Major | 4 | 3B | 96 BPM | ||
| I Wish I Could Shimmy Like My Sister Kate | Muggsy Spanier | D♭ Major | 4 | 3B | 96 BPM | ||
| Organ Grinder's Swing | Jimmie Lunceford | F Minor | 1 | 4A | 118 BPM | ||
| I'm Looking over a Four Leaf Clover | Art Hodes, Magnolia Jazzband | C Major | 5 | 8B | 107 BPM | ||
| B-Flat Blues | Art Hodes, Eddie Burleton, Marty Grosz, Truck Parham, Freddie Kohlman | B♭ Major | 0 | 6B | 92 BPM | ||
| 77 Blues | Archie Semple, Fred Hunt, Dickie Hawdon | A♭ Major | 3 | 4B | 101 BPM | ||
| I've Found a New Baby | Art Hodes, Eddie Burleton, Marty Grosz, Truck Parham, Freddie Kohlman | D Minor | 3 | 7A | 112 BPM | ||
| St Louis Blues | Art Hodes | G Major | 1 | 9B | 97 BPM | ||
| I Thought I Heard Buddy Bolden Say | Jelly Roll Morton | D♭ Major | 4 | 3B | 96 BPM | ||
| Tin Roof Blues | Muggsy Spanier | D♭ Major | 4 | 3B | 96 BPM | ||
| Bye And Bye | Barney Bigard, Art Hodes | A♭ Major | 2 | 4B | 118 BPM | ||
| Shreveport Stomp | Wilbur De Paris | B♭ Major | 5 | 6B | 127 BPM | ||
| Shag | Sidney Bechet and his New Orleans Feetwarmers | A♭ Major | 6 | 4B | 135 BPM | ||
| ディキシーランドジャズ2 | 茶屋萬衛門 | C Minor | 4 | 5A | 131 BPM |