George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket's ' "Semele / Act 1: Endless pleasure..." was released on its scheduled release date, January 1, 2004. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Semele / Act 1: Endless pleasure... is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Semele / Act 1: Endless pleasure... by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
| Berlioz: Les nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
| L'olimpiade, RV 725: Lo seguitai felice. Megacle, aria | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | A Major | 2 | 11B | 149 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Tosca, S.69 / Act 1: "Tre sbirri, una carrozza" | Giacomo Puccini, Bryn Terfel, Balcarras Crafoord, Swedish Radio Symphony Orchestra, Paul Daniel, Swedish Radio Choir, Arne Lundmark | C Minor | 3 | 5A | 71 BPM | ||
| Zadok the Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey | D♭ Major | 2 | 3B | 96 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: O Numi ! Barbari numi | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink | E Minor | 1 | 9A | 77 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 25 Aria e Coro "Al lampo dell'armi" - Live | George Frideric Handel, Marijana Mijanovic, Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski, Jean-Michel Ankaoua | A Major | 4 | 11B | 121 BPM | ||
| Bononcini: Brilla in cielo | Giovanni Bononcini, Malena Ernman, L'Arpeggiata, Christina Pluhar | F Major | 1 | 7B | 88 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
| Puccini: Tosca / Act 2 - "Vissi d'arte, vissi d'amore" | Kiri Te Kanawa, National Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 92 BPM | ||
| The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
| Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Vaughan Williams: The House of Life: No. 2, Silent Noon | Ian Bostridge, Julius Drake | F Major | 0 | 7B | 77 BPM | ||
| Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
| Handel: Coronation Anthem No. 2, HWV 259 "Let Thy Hand Be Strengthened": I. Let Thy Hand Be Strengthened | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | F♯ Major | 1 | 2B | 115 BPM | ||
| Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM | ||
| Tosca, S. 69, Tosca, Act I: Tre sbirri, una carrozza, "Te Deum" | Giacomo Puccini, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Minor | 5 | 5A | 73 BPM | ||
| Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | ||
| Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
| Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM |