OYAT's ' "TIME IS OVER" was released on its scheduled release date, February 4, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of WEEKEND SOUL BAND by OYAT. The song's track number on the album is #8 out of 9 tracks. Based on our data, Japan was the country where this track was produced or recorded. The popularity of TIME IS OVER is currently below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since TIME IS OVER by OYAT has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With TIME IS OVER being at 160 BPM, the half-time would be 80 BPM with a double-time of 320 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 帰らなくていい | OYAT | C Minor | 8 | 5A | 90 BPM | ||
| LOVE (XL) | Hedigan’s | A Minor | 5 | 8A | 100 BPM | ||
| コーヒールンバ | Albatrus | E♭ Minor | 7 | 2A | 175 BPM | ||
| ステップ | OYAT | B♭ Minor | 8 | 3A | 104 BPM | ||
| 三途のリバーサイド | Tha Omedetaz | A♭ Minor | 9 | 1A | 104 BPM | ||
| Contemporary Tokyo Cruise | cero | D Major | 8 | 10B | 103 BPM | ||
| 隠せない明日を連れて (Rerecorded) | TOKYO No.1 SOUL SET | A♭ Major | 9 | 4B | 100 BPM | ||
| なんにもいらない | 冬にわかれて | B♭ Major | 3 | 6B | 82 BPM | ||
| ゆうれい | Seiichi Yamamoto | D Major | 7 | 10B | 89 BPM | ||
| Shikai Ryoukou | スカート | C Major | 8 | 8B | 113 BPM | ||
| 神話具現 | KUCHIRORO, the band apart, Masakazu Hara | A♭ Major | 8 | 4B | 150 BPM | ||
| Keys open door feat. Campanella | KID FRESINO, Campanella | A Major | 7 | 11B | 111 BPM | ||
| my town | YEN TOWN BAND, Kj | C Major | 6 | 8B | 84 BPM | ||
| 踊る | junnos | G Major | 3 | 9B | 122 BPM | ||
| CALL | スカート | B♭ Major | 8 | 6B | 123 BPM | ||
| oh boy, oh girl | EGO-WRAPPIN’ | C Major | 7 | 8B | 127 BPM | ||
| キカイノカラダ | 犬式 | F♯ Major | 7 | 2B | 90 BPM | ||
| 楽しく暮らそう | OYAT | B Major | 9 | 1B | 109 BPM | ||
| The Age (feat. BASI, Dhira Bongs & Keishi Tanaka) | Gotch, BASI, Dhira Bongs, Keishi Tanaka | C Major | 5 | 8B | 95 BPM | ||
| さるすべり | Yujiro Kudo | D Major | 2 | 10B | 202 BPM | ||
| NEVER ENDING BEATS | SCHA DARA PARR, TOKYO No.1 SOUL SET | D♭ Minor | 8 | 12A | 124 BPM | ||
| Cruisin’ Crisin’ | bonobos | G Minor | 8 | 6A | 89 BPM | ||
| なぜわざわざ | Shintaro Sakamoto | A♭ Major | 4 | 4B | 97 BPM | ||
| 酩酊 | underslowjams | C Minor | 7 | 5A | 146 BPM | ||
| Stork (feat. 折坂悠太) | VIDEOTAPEMUSIC, 折坂悠太 | F Minor | 5 | 4A | 172 BPM |