Shiv Kumar, Rekha Rathor, Purnima's ' "Mor Lahnga Ma" was released on its scheduled release date, May 12, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Mor Lahnga Ma and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Mor Lahnga Ma's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mor Lahnga Ma by Shiv Kumar, Rekha Rathor, Purnima to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shiv Ka Naam Lo (From "Chal Kaanwariya Shiv Ke Dham") | Sonu Nigam | E♭ Minor | 9 | 2A | 77 BPM | ||
| Shivashtak | Anjul Sharma | C Major | 5 | 8B | 83 BPM | ||
| Baba Vishwakarma Song | Shiv Kumar | D♭ Major | 10 | 3B | 115 BPM | ||
| Pal Pal Tere Sath Main Rehta Hu | Sanjay Mittal | A♭ Major | 7 | 4B | 126 BPM | ||
| Mere Man Ke Andh Tamas Mein, Pt. 1 | Jagjit Singh | C Minor | 3 | 5A | 73 BPM | ||
| Hum Charan Jan Shri Krishan Ki Vanshavali Bakhan Kare | Arvinder Singh, Satish Dehra | A Major | 3 | 11B | 148 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Bade Laagi Phal | Ritesh Rinch, Shiv Kumar | D♭ Major | 10 | 3B | 135 BPM | ||
| Satnam Wahe Guru | Jagjit Singh | G Major | 6 | 9B | 80 BPM | ||
| Aarkesta Me Nache | Daneshwar Dani, Shiv Kumar | G Minor | 10 | 6A | 126 BPM | ||
| Man Tadpat Hari Darshan Ko Aaj, From ''Baiju Bawra'' | Mohammed Rafi | E♭ Minor | 2 | 2A | 94 BPM | ||
| Chali Sang Le Sakhi Sayani Hum Bandi Jan Apne Rajan Ki | Bhupender | F Minor | 2 | 4A | 106 BPM | ||
| Lahanga Me Tala | Shiv Kumar | D♭ Minor | 10 | 12A | 100 BPM | ||
| Aisi Baani Boliye | Amit Mehta | A Minor | 7 | 8A | 95 BPM | ||
| Chhati Ghate Aaw Na Re | Premi Pankaj, Ranjan Lal Yadav, Shiv Kumar | B Major | 10 | 1B | 136 BPM | ||
| Gela Hari Kunaya Gava | Prahlad Shinde | E♭ Minor | 3 | 2A | 73 BPM | ||
| Chhapra Siwan Aakhda | Arbind Arpan, Shiv Kumar | B♭ Minor | 10 | 3A | 155 BPM | ||
| Rangdar Hae Apna Jila Ke | Priti Rai, Shiv Kumar | D♭ Minor | 3 | 12A | 80 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | G Minor | 10 | 6A | 126 BPM | ||
| Rahab Rusal Kataik Din Bhawani | Dilip Dharbhangiya | A♭ Major | 8 | 4B | 150 BPM | ||
| Guruji na Nam ni Ho Mala | NARAYANSWAMI | F Minor | 5 | 4A | 130 BPM | ||
| Jap Le Hari ka Naam | NARAYANSWAMI | A♭ Major | 7 | 4B | 142 BPM | ||
| Geeta Gyan 20 - Mere Bhakt Ka Nash Na Ho Kabhi Meri Kripa Se Mukti Wo Paye | Ravindra Jain | G Major | 2 | 9B | 98 BPM | ||
| Main Hu Sharan Mein Teri | Ram Kumar Lakha | B Minor | 5 | 10A | 132 BPM | ||
| Jagadamba Ghar | Sharda Sinha | F Minor | 6 | 4A | 103 BPM |