"Prélude, Op. 28 No. 4" by Jane Rutter had its release date on January 1, 1989. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Prélude, Op. 28 No. 4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Nocturnes and Preludes for Flute (Jane Rutter plays Debussy and Chopin)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Australia. Prélude, Op. 28 No. 4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prélude, Op. 28 No. 4 by Jane Rutter having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano in the Rain | Lars Hustoft, Peter's Piano | C Major | 1 | 8B | 137 BPM | ||
| Ocean | Arash Ahmadi | E Minor | 0 | 9A | 82 BPM | ||
| 巴赫: 詠嘆調 作品156 (雙簧管主奏版) | 絲國蘭, 陳建宜 | F Major | 2 | 7B | 72 BPM | ||
| ワルツ 変イ長調 Op. 39 No. 15 | TAPESTRY | A♭ Major | 1 | 4B | 148 BPM | ||
| Après un rêve | Jane Rutter | A Minor | 2 | 8A | 119 BPM | ||
| Keyboard Sonata in A Minor, R. 118 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | D Minor | 2 | 7A | 89 BPM | ||
| Libertango | Jane Rutter | A Minor | 3 | 8A | 142 BPM | ||
| Around the Clock Suite: Ten Past Two | Pearl Chertok, Emanuela Degli Esposti | C Major | 1 | 8B | 108 BPM | ||
| grande y fuerte | guitarra de dios | A♭ Major | 1 | 4B | 133 BPM | ||
| Miniature for Piano No. 22 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
| 12 Studies for Harp: No. 11 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| Carousel: If I Loved You | Jane Rutter | D Minor | 2 | 7A | 88 BPM | ||
| Luz y norte musical: Achas | Lucas Ruiz de Ribayaz, Nuria Llopis Areny | B Minor | 2 | 10A | 147 BPM | ||
| Samba do Avião | Jane Rutter, Slava Grigoryan | D Major | 2 | 10B | 87 BPM | ||
| Preludio Fuga e Vivace: I. Preludio | Sérgio Assad, Plínio Fernandes | D Major | 2 | 10B | 100 BPM | ||
| Majestic Valley | Jane Rutter | C Major | 4 | 8B | 70 BPM | ||
| Sarabande | David Orlowsky, David Bergmüller | G Minor | 0 | 6A | 71 BPM | ||
| Liebestraum No. 3, S 541 | Franz Liszt, Michael Collins, Michael McHale | A♭ Major | 0 | 4B | 76 BPM | ||
| Se Lo M'Accorgo | Phillip Lester | C Minor | 1 | 5A | 97 BPM | ||
| One More Look Back | Tessa Rookey | C Major | 1 | 8B | 137 BPM | ||
| New Year Greeting | Bhumibol Adulyadej, Xuefei Yang | E Major | 1 | 12B | 97 BPM | ||
| After the Last Page | Vival Aldo | C Major | 1 | 8B | 137 BPM | ||
| Tanto Espaço | Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
| 12 Studies for Harp: No. 8 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM |