滝澤 志野's ' "コーダ2 ~「チャイコフスキー・パ・ド・ドゥ」より コーダ~ - 4/4 8×22+4" was released on its scheduled release date, March 25, 2018. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. コーダ2 ~「チャイコフスキー・パ・ド・ドゥ」より コーダ~ - 4/4 8×22+4's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ドラマティック・ミュージック・フォー・バレエクラス2, so we believe that "コーダ2 ~「チャイコフスキー・パ・ド・ドゥ」より コーダ~ - 4/4 8×22+4" is a single. Based on our statistics, コーダ2 ~「チャイコフスキー・パ・ド・ドゥ」より コーダ~ - 4/4 8×22+4's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of コーダ2 ~「チャイコフスキー・パ・ド・ドゥ」より コーダ~ - 4/4 8×22+4 by 滝澤 志野 is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach (Adagio, Center Floor Technique) | David Howard, Douglas Corbin | D♭ Major | 1 | 3B | 94 BPM | ||
| Pirouettes & Waltz 1(Long version) - Ballet "Paquita", Act 3 Coda | L. Minkus, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Hungarian Rhapsody No.6 - Duo-Art 5617 | Franz Liszt, Michael von Zadora, Peter Phillips | C Major | 0 | 8B | 91 BPM | ||
| mirrored lake | Do Min Woo | B♭ Minor | 0 | 3A | 66 BPM | ||
| Morceaux De Fantaisie, Op. 3: No. 5, Serenade in B-Flat Minor - Welte-Mignon 602 | Sergei Rachmaninoff, Vera Maurina, Peter Phillips | D♭ Major | 0 | 3B | 65 BPM | ||
| 莫札特: 小星星變奏曲, 作品K. 265 | 紀鈞瀚 (Bryan Chi) | C Major | 0 | 8B | 145 BPM | ||
| Govindo Jeje | Paul Kronberg | F♯ Major | 0 | 2B | 169 BPM | ||
| Battement Frappé with Balance | Jiwon Choi | E Minor | 4 | 9A | 133 BPM | ||
| Song from Indigo. Ronde De Jambe | Josu Gallastegui | E♭ Major | 2 | 5B | 102 BPM | ||
| Save the Last Dance (Fondu) | Joey McNamara | E♭ Major | 1 | 5B | 99 BPM | ||
| Fourteen Degrees | Tom Adorno | F Major | 1 | 7B | 54 BPM | ||
| 10 Adagio Rieding major | Dan Turcanu | B♭ Major | 2 | 6B | 109 BPM | ||
| Chilled by Chamomile | Teres | F Major | 0 | 7B | 131 BPM | ||
| 16 Minuets, Kv.176: No.14 in C Major | Songs of Birdland, Mu Dimon, Classical of Birdland | C Major | 2 | 8B | 72 BPM | ||
| Find the Princess (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | C Major | 0 | 8B | 91 BPM | ||
| stung | emcee, emcee piano | C Major | 0 | 8B | 91 BPM | ||
| Stretch/Adagio: Barre Technique | David Howard, Joe Cross | E♭ Major | 2 | 5B | 112 BPM | ||
| Pirouette (Waltz) 3/4 [256 Measures] | Tatyana Grigoryants | E♭ Minor | 1 | 2A | 160 BPM | ||
| Plie 1 3x4 | Jorge L. Martínez | B♭ Minor | 2 | 3A | 202 BPM | ||
| Aires de la Pampa, op. 63: Arrastrando el Ala - Remasterizado | Adrián Romero | D Minor | 2 | 7A | 174 BPM | ||
| アダージオ / ポール・ド・ブラ ~「田園の出来事」/「椿姫」~ - 6/8 8×8 - アンダンテ・スピアナートと華麗な大ポロネーズ 変ホ長調 Op.22 | 滝澤 志野 | E Major | 1 | 12B | 72 BPM | ||
| Pliés 1 3/4 | Jorge L. Martínez | D Major | 1 | 10B | 95 BPM | ||
| Prelude No. 3 in G Minor | Matthew Thomas Soong, Anna Sutyagina | E♭ Major | 1 | 5B | 92 BPM | ||
| 愛の夢 (Strech&Battemens1) | Miwa Hoshi | E♭ Major | 1 | 5B | 112 BPM | ||
| Perito Per Aria | Mariana Ghiaccio | F Major | 1 | 7B | 112 BPM |