Jim Reeves's 'Carolina Moon' had a release date set for October 10, 2004. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Carolina Moon's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jim Reeves's "Moonlight and Roses/The Jim Reeves Way" album is number 3 out of 24. On top of that, United States appears to be the country where this track was created. Carolina Moon is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Carolina Moon by Jim Reeves to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanaka Wai Wai | Don Ho | E♭ Major | 5 | 5B | 95 BPM | ||
| What Do You Want to Make Those Eyes at Me for | Emile Ford & The Checkmates | F♯ Minor | 5 | 11A | 137 BPM | ||
| I Miss the Biggest Part of Me | Isla Grant | B♭ Major | 3 | 6B | 115 BPM | ||
| Chapel of the Roses | Malcolm Vaughan | G Major | 2 | 9B | 82 BPM | ||
| A Tear Fell | Sydney Devine | G Major | 4 | 9B | 86 BPM | ||
| Mother | Isla Grant | E Major | 3 | 12B | 86 BPM | ||
| Lay Down Beside Me | Patsy Riggir | G Major | 3 | 9B | 110 BPM | ||
| Invisible Tears | Ned Miller | F Major | 3 | 7B | 109 BPM | ||
| Sailor | Petula Clark | B♭ Major | 4 | 6B | 99 BPM | ||
| Five Little Fingers | Frankie McBride | F♯ Major | 4 | 2B | 109 BPM | ||
| You Kept Me Awake Last Night | Jim Reeves | G Major | 1 | 9B | 86 BPM | ||
| Just Before Dawn | Ned Miller | E♭ Major | 4 | 5B | 120 BPM | ||
| Sweet Rosyanne | The Brothers Four | D♭ Major | 2 | 3B | 119 BPM | ||
| I Can't Help It (If I'm Still in Love with You) | Sue Thompson | C Major | 2 | 8B | 86 BPM | ||
| Save the Last Dance for Me | Sandy Posey | F Major | 5 | 7B | 110 BPM | ||
| Acapulco | Frankie McBride | D Major | 6 | 10B | 125 BPM | ||
| Warmed Over Kisses (Left Over Love) | Brian Hyland | F♯ Major | 3 | 2B | 138 BPM | ||
| Why Don't You Believe Me | Bobby Goldsboro | E Major | 3 | 12B | 93 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| Here's to You My Ramblin' Boy | Frank McCaffrey | G Major | 2 | 9B | 133 BPM | ||
| Dear John | Jean Shepard | B♭ Major | 3 | 6B | 113 BPM | ||
| The Wayward Wind | Frank Ifield | B Major | 6 | 1B | 128 BPM | ||
| One, Two, Three O'Leary | Des O'Connor | G Major | 3 | 9B | 111 BPM | ||
| I Thank You for Your Love | Ronnie Dove | B♭ Major | 2 | 6B | 70 BPM | ||
| It Keeps Right On A-Hurtin' | Sydney Devine | B♭ Major | 6 | 6B | 120 BPM |