"Got You On My Side" by The Howl & The Hum had its release date on May 29, 2020. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Howl & The Hum's "Human Contact" album is number 7 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Got You On My Side is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Got You On My Side by The Howl & The Hum to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death Of The Author | Another Sky | D♭ Minor | 6 | 12A | 125 BPM | ||
| She Drives The Car | Mitch Sanders | E Minor | 6 | 9A | 148 BPM | ||
| Tramlines | The Native | F Major | 8 | 7B | 74 BPM | ||
| Never Really Tire | Snow Patrol | A♭ Minor | 6 | 1A | 82 BPM | ||
| Everybody Loves A Crime Scene | The Howl & The Hum | G Major | 3 | 9B | 93 BPM | ||
| AWOL | Balancing Act | B Major | 7 | 1B | 136 BPM | ||
| Where Are You Now? | The Clause | C Major | 4 | 8B | 126 BPM | ||
| Reconnect | Director | G Major | 7 | 9B | 130 BPM | ||
| In Fading Light | Hector Gannet | F♯ Minor | 6 | 11A | 137 BPM | ||
| How Many Love Songs Have Died In Vegas? | Swim Deep | B Major | 4 | 1B | 78 BPM | ||
| Horizon | ISLAND | D Major | 7 | 10B | 94 BPM | ||
| West Coast Feeling | Samuel Nicholson | F Major | 2 | 7B | 135 BPM | ||
| Nitrous Gas | Frightened Rabbit | B Major | 5 | 1B | 115 BPM | ||
| High in the Garden | Sorcha Richardson | A Minor | 8 | 8A | 118 BPM | ||
| I Won't Wait | Spector | A Major | 9 | 11B | 153 BPM | ||
| The Future is Not What It Was | The Clockworks | E♭ Minor | 8 | 2A | 156 BPM | ||
| Lanterns | Callum Beattie | D Major | 7 | 10B | 164 BPM | ||
| Half Alive | Hunkpapa | B♭ Major | 7 | 6B | 142 BPM | ||
| Norwegian Air | Spector | C Major | 7 | 8B | 125 BPM | ||
| Aftersun | Fright Years | B♭ Major | 7 | 6B | 148 BPM | ||
| Brother, How Was The War? | The Airborne Toxic Event | B Major | 6 | 1B | 143 BPM | ||
| Get Over It | Social Animals | A Major | 8 | 11B | 150 BPM | ||
| And Our Hearts Did Beat | There Will Be Fireworks | D Major | 2 | 10B | 51 BPM | ||
| Keep Checking up on Me | Chartreuse | C Major | 6 | 8B | 139 BPM | ||
| cigarette chokehold | Dylan Flynn and the Dead Poets | G Major | 6 | 9B | 143 BPM |