"We Need to Go" by Reinhold Heil had its release date on November 11, 2016. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 30 in Berlin Station (Music from the Original Series) by Reinhold Heil. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, We Need to Go is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of We Need to Go by Reinhold Heil is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pillow Talking | Clint Mansell | A Minor | 0 | 8A | 204 BPM | ||
| Commander | Steve Jablonsky | C Minor | 2 | 5A | 79 BPM | ||
| Windflower | Junkie XL | C Minor | 2 | 5A | 79 BPM | ||
| Sarah - K-Pax (Original Motion Picture Soundtrack) | Edward Shearmur | B Minor | 1 | 10A | 60 BPM | ||
| Peter And Christina | Jeff Beal | E Minor | 2 | 9A | 81 BPM | ||
| End Titles (Sy's Theme) | Johnny Klimek, Reinhold Heil | F Minor | 1 | 4A | 77 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Macbeth - From "Macbeth" Soundtrack | Jed Kurzel | A Major | 2 | 11B | 70 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| The Far Road | Nick Cave & Warren Ellis | A Minor | 1 | 8A | 118 BPM | ||
| Torture Time with Hector Dejean | Reinhold Heil | B Major | 1 | 1B | 88 BPM | ||
| Richis' Escape | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker, Chen Reiss | F Minor | 1 | 4A | 81 BPM | ||
| The Turing Test | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 139 BPM | ||
| The Lions Theme | Steven Price | D♭ Minor | 3 | 12A | 140 BPM | ||
| Song for Bob | Nick Cave & Warren Ellis | F Major | 2 | 7B | 56 BPM | ||
| The Final Chapter | Ólafur Arnalds | B♭ Minor | 0 | 3A | 84 BPM | ||
| Drawing | Guy Farley | G Major | 1 | 9B | 94 BPM | ||
| Unravelling | Harry Escott | C Minor | 2 | 5A | 120 BPM | ||
| Besteuert die Kirchen | Reinhold Heil | C Major | 5 | 8B | 133 BPM | ||
| Everything Comes Around | Nathan Johnson | E♭ Major | 2 | 5B | 52 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| We Can Be Just As Fragile | Panu Aaltio | D Minor | 0 | 7A | 46 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM |