Koji Tamaki's ' "闇をロマンスにして" was released on its scheduled release date, 1997. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. 闇をロマンスにして's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Koji Tamaki's "JUNK LAND" album is number 2 out of 14. On top of that, Japan appears to be the country where this track was created. In terms of popularity, 闇をロマンスにして is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 闇をロマンスにして by Koji Tamaki to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夜明けのブレス | The Checkers | C Major | 6 | 8B | 150 BPM | ||
| 朝がまた来る - album mix | DREAMS COME TRUE | G Major | 8 | 9B | 96 BPM | ||
| 幸せをフォーエバー | MISIA | A Major | 5 | 11B | 146 BPM | ||
| ルーキー(2005LIVE) - 2005 Live Version | Koji Tamaki | G Major | 7 | 9B | 106 BPM | ||
| 蛍 | サザンオールスターズ | A Major | 4 | 11B | 85 BPM | ||
| 桜ひとひら | MISIA | A Major | 5 | 11B | 82 BPM | ||
| マスカット | Koji Tamaki | G Major | 4 | 9B | 86 BPM | ||
| One more time, One more chance | Masayoshi Yamazaki | B Minor | 4 | 10A | 129 BPM | ||
| 宙船 (そらふね) (カバー) | Shizuka Kudo | D♭ Major | 8 | 3B | 135 BPM | ||
| 愛のメモリー | Shigeru Matsuzaki | B Minor | 5 | 10A | 167 BPM | ||
| いい日 旅立ち | Momoe Yamaguchi | B♭ Minor | 5 | 3A | 102 BPM | ||
| 月光 | Chihiro Onitsuka | F♯ Minor | 4 | 11A | 75 BPM | ||
| Make-up Shadow - Remastered 2018 | Yosui Inoue | F Minor | 9 | 4A | 136 BPM | ||
| もっと遠くへ | Remioromen | F Major | 5 | 7B | 153 BPM | ||
| このまま君だけを奪い去りたい(DEEN The Best キセキ) | DEEN | G Major | 6 | 9B | 146 BPM | ||
| アイ | Motohiro Hata | D Major | 4 | 10B | 84 BPM | ||
| 風になりたい | THE BOOM | B Major | 9 | 1B | 113 BPM | ||
| 離したくはない | T-BOLAN | C Major | 9 | 8B | 132 BPM | ||
| 瑠璃色の地球 - 2020 | Seiko Matsuda | D♭ Major | 3 | 3B | 172 BPM | ||
| 奇跡を望むなら... | JUJU | F Major | 4 | 7B | 137 BPM | ||
| いつまでも変わらぬ愛を(21st century ver.) | Tetsuro Oda | B♭ Major | 8 | 6B | 127 BPM | ||
| BE MY BABY | COMPLEX | A Major | 10 | 11B | 127 BPM | ||
| 大きな玉ねぎの下で | Masayoshi Yamazaki | G Major | 4 | 9B | 79 BPM | ||
| 大きな玉ねぎの下で | Bakufu Slump | F Major | 5 | 7B | 77 BPM | ||
| 春を愛する人 | GLAY | D Major | 9 | 10B | 129 BPM |