Nicolás Colacho Brizuela, Rodolfo Mederos's ' "Ventarrón" was released on its scheduled release date, January 3, 2000. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Tangos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Ventarrón is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ventarrón by Nicolás Colacho Brizuela, Rodolfo Mederos having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Guitarrero | Carlos Di Fulvio | E Minor | 2 | 9A | 80 BPM | ||
| Volverè Siempre a San Juan | Claudia Pirán | A Major | 8 | 11B | 87 BPM | ||
| Zamba de Lozano | Daniela Toro | G Major | 3 | 9B | 137 BPM | ||
| Costera, mi Costerita (with Orlando Vera Cruz) | María Ofelia, Orlando Vera Cruz | G Major | 4 | 9B | 67 BPM | ||
| Nieblas del Riachuelo | Nicolás Colacho Brizuela | F♯ Minor | 1 | 11A | 82 BPM | ||
| Por Una Cabeza | Aníbal Arias | E Minor | 1 | 9A | 123 BPM | ||
| En el Andén | Elizabeth Morris | D Major | 4 | 10B | 123 BPM | ||
| Córdoba en Otoño | Pablo Lozano | A Minor | 4 | 8A | 138 BPM | ||
| Caudalosa (tercer movimiento) | Aldana Bello | F Major | 2 | 7B | 100 BPM | ||
| Silbando | Aníbal Troilo, Roberto Grela | D Major | 1 | 10B | 115 BPM | ||
| La Ley Es Tela de Araña | Alfredo Abalos, Nicolás Colacho Brizuela, Juan E. Romero, Martín Abalos Santillán, Lidio Reyes, Ruben Lobo | G Major | 3 | 9B | 89 BPM | ||
| Como agüita de cascada | Camila y Silvio | B♭ Major | 5 | 6B | 90 BPM | ||
| Vuelvo al Sur | Astor Piazzolla | G Minor | 1 | 6A | 197 BPM | ||
| La partida | Raul Barboza, Daniel Colin, Dominique Cravic, Claire Elzière, Grégory Veux, Laurent Larcher | F Major | 3 | 7B | 112 BPM | ||
| Histoire du Tango: Café 1930 | Lavinia Meijer, Carel Kraayenhof | E Minor | 1 | 9A | 79 BPM | ||
| Volver a los diecisiete | Mariana Montalvo | C Major | 4 | 8B | 112 BPM | ||
| Huella Perdida | Luciana Jury, Carlos Moscardini | C Major | 1 | 8B | 132 BPM | ||
| Los obreros de Morón | Jorge Marziali | F♯ Minor | 6 | 11A | 104 BPM | ||
| Canto Camino Neocatecumenal Abba, Padre | BRONSON | G Minor | 2 | 6A | 116 BPM | ||
| La Negro Alegre | Dino Saluzzi | A Minor | 5 | 8A | 97 BPM | ||
| En Sombras Tu | Alfredo Abalos, Nicolás Colacho Brizuela, Juan E. Romero, Martín Abalos Santillán, Lidio Reyes, Ruben Lobo | G Major | 4 | 9B | 87 BPM | ||
| Florcita | Clara Cantore | D Major | 6 | 10B | 143 BPM | ||
| Conjuro | Tamara Castro | A Minor | 6 | 8A | 105 BPM | ||
| La Tierra Sin Mal | Raul Barboza, Rudy Flores, Lincoln Almada, Norberto Pedreira, Jean-Louis Carlotti, Minino Garay, Daniel Colin | D Minor | 8 | 7A | 119 BPM | ||
| Mire Que Es Lindo Mi País, Paisano | Los Cuatro De Cordoba | G Major | 7 | 9B | 102 BPM |