On 2002, the song "Stormhead" was released by Angels and Agony. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 7 in Forever by Angels and Agony. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Stormhead is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Stormhead by Angels and Agony is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Virtual State | Evil's Toy | C Minor | 10 | 5A | 135 BPM | ||
| Synthesize Me | Diorama | A♭ Minor | 9 | 1A | 117 BPM | ||
| Nightmare | Blume | D♭ Minor | 9 | 12A | 128 BPM | ||
| Alive | Wiegand | E Minor | 8 | 9A | 121 BPM | ||
| Surpass | Hubert Lynch | D♭ Minor | 10 | 12A | 141 BPM | ||
| Back to Life | Seelennacht | B Minor | 9 | 10A | 136 BPM | ||
| Singularity | Intent:Outtake | A Major | 10 | 11B | 134 BPM | ||
| I Cry | Rotersand | B Minor | 9 | 10A | 125 BPM | ||
| Leaving Earth - Single edit | Code 64 | D Major | 10 | 10B | 138 BPM | ||
| On The Other Side | System Noire, Henrik Iversen | B Minor | 9 | 10A | 134 BPM | ||
| All Is Shadow - Apoptygma Berzerk Remix | Peter Heppner, Apoptygma Berzerk | E Minor | 9 | 9A | 126 BPM | ||
| Until It's Over | Solar Fake | A Minor | 10 | 8A | 129 BPM | ||
| Monday | Torul | F Major | 7 | 7B | 122 BPM | ||
| Silent Killer | Decoded Feedback | A♭ Major | 10 | 4B | 140 BPM | ||
| Something to Believe In | Informatik | D♭ Major | 8 | 3B | 128 BPM | ||
| Shadows Kiss | The Pirx | D Major | 5 | 10B | 120 BPM | ||
| Wonder | Culture Kultur | A♭ Major | 9 | 4B | 125 BPM | ||
| Change the View | Solar Fake | B♭ Minor | 9 | 3A | 140 BPM | ||
| Another World | Beborn Beton | F Minor | 8 | 4A | 120 BPM | ||
| Spawn | Beborn Beton | A Minor | 9 | 8A | 120 BPM | ||
| Visions | CHROM | A Minor | 9 | 8A | 128 BPM | ||
| Behind My Smile | Decoded Feedback | G Minor | 9 | 6A | 140 BPM | ||
| Monument - Edit | Angels and Agony | C Major | 10 | 8B | 140 BPM | ||
| Forgiving | Namnambulu, [:SITD:] | D♭ Major | 10 | 3B | 166 BPM | ||
| Pure | Endless Shame | A Minor | 10 | 8A | 128 BPM |