On 1967, the song "Too Many Ways" was released by Buddy Guy. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Too Many Ways's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Buddy Guy's "Left My Blues In San Francisco" album is number 9 out of 11. Based on our statistics, Too Many Ways's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Too Many Ways by Buddy Guy to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Call Me the Popcorn Man | Luther Johnson | E Major | 5 | 12B | 132 BPM | ||
| Nasty Habits | Tommy Castro | C Major | 6 | 8B | 109 BPM | ||
| The Man Wants Me Dead | Byther Smith | D Minor | 5 | 7A | 180 BPM | ||
| Empty Promises | Michael Burks | D Minor | 6 | 7A | 138 BPM | ||
| I Always Get My Man | Shemekia Copeland | D♭ Minor | 7 | 12A | 109 BPM | ||
| Luther's Blues | Luther Allison | F Major | 6 | 7B | 178 BPM | ||
| Back To The River | Susan Tedeschi | B Minor | 8 | 10A | 92 BPM | ||
| On My Knees | Son Seals | D Major | 5 | 10B | 104 BPM | ||
| Take Out Some Insurance | Jimmy Reed | A Major | 3 | 11B | 111 BPM | ||
| Five Long Years | Freddie King | D Major | 3 | 10B | 148 BPM | ||
| Lonely Bed | Albert Cummings, Tommy Shannon | F Minor | 5 | 4A | 118 BPM | ||
| Thirty Eight | Will Wilde | F♯ Major | 4 | 2B | 104 BPM | ||
| Neverland | Guitar Shorty | A Minor | 8 | 8A | 124 BPM | ||
| Down And Out | Raful Neal | D Major | 5 | 10B | 189 BPM | ||
| Blues is Here to Stay | Hubert Sumlin | D Major | 9 | 10B | 118 BPM | ||
| Everything's Gonna Be All Right | Carey Bell | C Major | 6 | 8B | 119 BPM | ||
| Out Of Bad Luck | Eddie Shaw | G Major | 6 | 9B | 139 BPM | ||
| Two Bugs and a Roach | Earl Hooker | A Major | 6 | 11B | 135 BPM | ||
| Born To Play | Chris Cain | D Major | 7 | 10B | 109 BPM | ||
| I'm Tore Down | Freddie King | D Major | 5 | 10B | 117 BPM | ||
| I'm A Honey Bee | Byther Smith, Larry Davis | D Major | 5 | 10B | 132 BPM | ||
| I Will Not Surrender | Curtis Salgado, Alan Hager | D Major | 2 | 10B | 71 BPM | ||
| Do Your Thing | Buddy Guy | D♭ Major | 6 | 3B | 157 BPM | ||
| The Devil Must Be Laughing | John Mayall, Joe Walsh | A Minor | 6 | 8A | 75 BPM | ||
| I Shiver | The Robert Cray Band | A Minor | 7 | 8A | 112 BPM |