Maanyung's 'What Was I Made For? - triple j Like A Version' had a release date set for October 11, 2024. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since What Was I Made For? (triple j Like A Version) only contains only one song in the album, we like to consider this song as a single. Based on our data, Australia was the country where this track was produced or recorded. What Was I Made For? - triple j Like A Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since What Was I Made For? - triple j Like A Version by Maanyung has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With What Was I Made For? - triple j Like A Version being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sounds of Then (This Is Australia) | Sarah Blasko | A Major | 3 | 11B | 180 BPM | ||
| Black Dirt Track | The Waifs | G Major | 4 | 9B | 126 BPM | ||
| New Phone, Who's This? | Georgia Maq | D Major | 6 | 10B | 98 BPM | ||
| By The Sea | Jess Hitchcock | C Major | 2 | 8B | 172 BPM | ||
| Youngblood - triple j Like A Version | 3%, Mi-kaisha, Yirrmal | F Minor | 8 | 4A | 130 BPM | ||
| Give You Up | Sarah Blasko | E Minor | 4 | 9A | 123 BPM | ||
| Light Up The Path | King Stingray | G Major | 8 | 9B | 123 BPM | ||
| End of Beginning - triple j Like A Version | The Beaches | D Major | 5 | 10B | 165 BPM | ||
| Slow Mover - piano | Angie McMahon | F Major | 0 | 7B | 128 BPM | ||
| When the Party's Over - triple j Like a Version | Cub Sport | D Major | 2 | 10B | 114 BPM | ||
| Bottle'o | Ruby Fields | C Major | 3 | 8B | 122 BPM | ||
| Tubthumping - triple j Like A Version | These New South Whales | D Major | 9 | 10B | 105 BPM | ||
| Home | Meg Mac | F♯ Major | 2 | 2B | 80 BPM | ||
| Like Love | Ball Park Music | E♭ Major | 4 | 5B | 111 BPM | ||
| Mayangan | Neil Murray, Yirrmal | G Major | 7 | 9B | 116 BPM | ||
| Hallelujah - Acoustic | Alex Lloyd | D Major | 2 | 10B | 115 BPM | ||
| Sweet Disposition | Budjerah, Ngaiire, Gretta Ray | F♯ Minor | 7 | 11A | 119 BPM | ||
| Singing Blackbird | Adam Newling | E Major | 5 | 12B | 98 BPM | ||
| WWGBH | Emily Wurramara, Zeppelin Hamilton | E♭ Major | 3 | 5B | 110 BPM | ||
| Every You Every Me | Lisa Mitchell | D♭ Minor | 1 | 12A | 105 BPM | ||
| Native Tongue - Double J Live at the Wireless | Mo’Ju, Melbourne Symphony Orchestra | C Major | 6 | 8B | 108 BPM | ||
| Bothering Me | Sarah Blasko | D♭ Minor | 4 | 12A | 82 BPM | ||
| When You Were Young - triple j Like a Version | Press Club | A Minor | 8 | 8A | 137 BPM | ||
| Lonely Boy - triple j Like A Version | Matt Corby | B Minor | 1 | 10A | 134 BPM | ||
| Little Sadness | Mel Parsons | E Minor | 5 | 9A | 138 BPM |