- BPM
- 123
- Key
- E♭ Major
- Camelot
- 5B
The Widow's Party by W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller Song Details
W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller's ' "The Widow's Party" was released on its scheduled release date, August 7, 2005. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of When the Empire Calls by David Miller, Michael Halliwell. The song's track number on the album is #12 out of 47 tracks. Based on our data, Australia was the country where this track was produced or recorded. Based on our statistics, The Widow's Party's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
Since The Widow's Party by W Ward-Higgs, Rudyard Kipling, Michael Halliwell, David Miller has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Widow's Party being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
Music Key
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -22.811 dB
- Acousticness
- 98%
- Danceability
- 60%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 14%
- Valence
- 46%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Schöpfung Hob. XXI:2 / Erster Teil: 12. Rezitativ: Im vollen Glanze steiget jetzt | Franz Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine | D Major | 0 | 10B | 90 BPM | |
 | Paulus: I. Teil: Nr. 12 Rezitativ & Arioso A "Und zog mit einer Schaar gen Damaskus" | Felix Mendelssohn, Annette Markert, Philippe Herreweghe | E♭ Minor | 1 | 2A | 125 BPM | |
 | Die Fledermaus / Act 1: "Da schreibt meine Schwester Ida" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 134 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: Tutto è tranquillo e placido (Figaro, Susanna) | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 86 BPM | |
 | Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | D Minor | 1 | 7A | 112 BPM | |
 | Die Jahreszeiten - Hob. XXI:3 / Der Winter: No. 39 Terzett und Doppelchor: "Dann bricht der grosse Morgen an" | Joseph Haydn, Gundula Janowitz, Peter Schreier, Martti Talvela, Wiener Symphoniker, Karl Böhm, Wiener Singverein, Helmuth Froschauer | C Major | 3 | 8B | 95 BPM | |
 | Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | G Major | 1 | 9B | 109 BPM | |
 | La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | |
 | Grande Messe des Morts: XI. Sequentia: Recordare - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 73 BPM | |
 | Beethoven: 25 Scottish Songs, Op. 108: No. 1, Music, Love and Wine | Ludwig van Beethoven, Jean-Pierre Armengaud, Juliette Allen, John Bernard, Jean-François Rouchon, Alessandro Fagiuoli, Andrea Musto | D Major | 1 | 10B | 84 BPM | |
 | Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | |
| Le nozze di Figaro, K.492 / Act 3: "Vedro mentr'io sospiro" | Wolfgang Amadeus Mozart, Thomas Hampson, Metropolitan Opera Orchestra, James Levine | D Major | 2 | 10B | 87 BPM | |
 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Minor | 1 | 2A | 97 BPM | |
 | Die Fledermaus / Act 1: Nr.1 Introduktion: "Täubchen, das entflattert ist" - Edit | Johann Strauss II, Hilde Gueden, Erika Köth, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 66 BPM | |
 | H.M.S. Pinafore / Act 2: Kind Captain, I've important information | Arthur Sullivan, The D'Oyly Carte Opera Company, Donald Adams, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 2 | 4B | 97 BPM | |
 | Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Wiener Staatsopernchor | F Major | 2 | 7B | 125 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | |
 | Don Pasquale: Tornami a dir che m'ami | Gaetano Donizetti, Erin Morley, Lawrence Brownlee, Munich Radio Orchestra, Ivan Repusic | A Major | 1 | 11B | 82 BPM | |
 | Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | |
 | Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | G Major | 1 | 9B | 109 BPM | |
 | Don Giovanni, K. 527: Act I: Non sperar, se non m'uccidi (No. 1, Introduzione: Donna Anna, Don Giovanni, Leporello, Il Commendatore) | Wolfgang Amadeus Mozart, Teodor Currentzis, musicAeterna, Dimitris Tiliakos, Myrtò Papatanasiu, Vito Priante, Mika Kares | B♭ Major | 3 | 6B | 99 BPM | |
 | Joonas: Prologue. Teie, õelad (Chorus) | Rudolf Tobias, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 92 BPM | |
 | Dudu | Alexander Uriah Boskovich, Constance Heller, Gerold Huber | D Major | 0 | 10B | 167 BPM | |
| Paulus: I. Teil: Nr. 20 Rezitativ ST "Und Ananias ging hin" | Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener | D♭ Minor | 4 | 12A | 146 BPM | |
 | Bellini: I puritani: "Ah, dolor! Ah, terror!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |
- ISRC
- AUAB00550520
- Label
- L-M Records/RCA Records