On January 9, 2023, the song "Call Attend Kar L" was released by Rakesh Batwadi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Call Attend Kar L and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Call Attend Kar L is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Call Attend Kar L by Rakesh Batwadi is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balam Beautiful Chhoriyaan K Kaalyo So Palit Aav Ch | Shivram Sarjoli, Kamlesh Baindada, Ramjilal Badh | A♭ Major | 10 | 4B | 148 BPM | ||
| Dholi Dholi Pigdi Bandh Re Gotiya | Love Star | D♭ Major | 9 | 3B | 111 BPM | ||
| Viral Hejya Gi Bayela Mt Le Selfie Mhari | Dk Ghunawat, Rakesh Batwadi | F Major | 9 | 7B | 80 BPM | ||
| Lagya Umava | DC Dhaliwal | A Major | 10 | 11B | 115 BPM | ||
| Mere Duble Piya | Akshara Singh | A♭ Minor | 9 | 1A | 174 BPM | ||
| Red Gajra Radha Ke | Rajnish Gupta Ayodhyawasi | C Major | 10 | 8B | 127 BPM | ||
| Brahman Kul - Original | Vipin Patadiya, Harender Nagar, NA | F♯ Major | 9 | 2B | 140 BPM | ||
| Anguthi Raja Sone Ki | Bhanwar Khatana, Sandhya Choudhary | B♭ Minor | 9 | 3A | 119 BPM | ||
| OLX BAAJ HAKIQAT | Tahseem Dehangal, Aslam Singer Mewati | D♭ Major | 10 | 3B | 120 BPM | ||
| Sawra Malya Ki Badi Su Fulda Tod Lyauli | Prakash Mali Mehandwas | B♭ Major | 9 | 6B | 105 BPM | ||
| Bhalo karo Bhartar Ne Jiji Nasbandi Karwa Dai hai super Hit Rasiya | Ranjeet gurjar | F Minor | 10 | 4A | 121 BPM | ||
| Kun Milbo Aawgo | Manish Lotan, Rakesh Batwadi | G Major | 9 | 9B | 115 BPM | ||
| Dhingray Khati Jasu Dolu Hu | Aslam Singer Deadwal, Aslam Singer Zamidar | A Minor | 10 | 8A | 130 BPM | ||
| Thara Karam Futga Chori | Ramhari Fouji, Samay Singh Peelwal | B♭ Major | 10 | 6B | 130 BPM | ||
| Dil Ki Dhadkan Bhi Ko Dhadk | Meethalal Chawand, Rakesh Batwadi | F♯ Minor | 10 | 11A | 138 BPM | ||
| छौरी थारी रील वायरल हैगी गैलरी म सु | Rakesh Batwadi, Kamlesh Baindada | A Major | 10 | 11B | 145 BPM | ||
| Chhori Pani Lewe Aaja Kare Mat Moku Tang | Bhupendra Khatana | G Minor | 9 | 6A | 105 BPM | ||
| Chhora Teri De Jaiyo Photo | Bhupendra Khatana, Ranjeet Gurjar | F Minor | 10 | 4A | 108 BPM | ||
| Dil Ka Mandir M Chdau Fool Gulab Ka Ton | Rakesh Siwal, Rakesh Batwadi | D♭ Major | 9 | 3B | 144 BPM | ||
| Kali gadi Kala shisha | Dilkush Lalsot, KR Devta | F Minor | 10 | 4A | 118 BPM | ||
| Aslam SR 10000 | Fida Hussain Mew | B Minor | 9 | 10A | 105 BPM | ||
| Bina Mile Kad Gyo Kani Bad Baithgo Tere | KR Devta, Rahul Marmat Bhutyapura | G Minor | 10 | 6A | 125 BPM | ||
| Marwadi Don | Khushi Choudhary, Raju Swami | B Minor | 7 | 10A | 120 BPM | ||
| Rajaji Moku Haar Gale Ko Lade Sabse Alag Dikhade | Mahender Kumar, Sandhya Choudhary | F♯ Minor | 9 | 11A | 119 BPM | ||
| Kade Narnaul Me Miliye | Kb Naredi | B♭ Major | 10 | 6B | 116 BPM |