Chris Connor's 'Why Shouldn't I?' had a release date set for January 1, 1954. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Why Shouldn't I?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in All About Chris by Chris Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Why Shouldn't I?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Why Shouldn't I? by Chris Connor is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Love | Hilary Kole | B Minor | 4 | 10A | 117 BPM | ||
| Remember Clifford | Austyn Ziemann | E♭ Major | 0 | 5B | 70 BPM | ||
| (It Will Have To Do) Until The Real Thing Comes Along | Dakota Staton | A Major | 2 | 11B | 67 BPM | ||
| I Love Being Here With You | Ernestine Anderson | D♭ Major | 2 | 3B | 123 BPM | ||
| I've Got A Crush On You | Dorothy Dandridge | G Minor | 1 | 6A | 131 BPM | ||
| Just in Time | Chris Connor | G Minor | 3 | 6A | 131 BPM | ||
| Something To Remember You By | Irene Kral | C Major | 3 | 8B | 137 BPM | ||
| Cute | Lionel Hampton | D Minor | 2 | 7A | 125 BPM | ||
| I'll Close My Eyes | Mildred Bailey | F Minor | 1 | 4A | 69 BPM | ||
| Undecided | Beverly Kenney | C Major | 3 | 8B | 174 BPM | ||
| My Foolish Heart | Ethel Ennis | F Major | 0 | 7B | 79 BPM | ||
| Street of Dreams | Lee Wiley | B♭ Minor | 1 | 3A | 90 BPM | ||
| When the Wind Was Green [Explicit] | Chris Connor | D Major | 1 | 10B | 109 BPM | ||
| So In Love | Roberta Gambarini | D Major | 1 | 10B | 103 BPM | ||
| The Thrill Is Gone | Dakota Staton | E Minor | 1 | 9A | 69 BPM | ||
| It Don't Mean A Thing (If It Ain't Got That Swing) | Ernestine Anderson | F Minor | 4 | 4A | 134 BPM | ||
| Sunny | Nancy Wilson, Jeff Rach | C Minor | 2 | 5A | 138 BPM | ||
| There's A Lull In My Life | Ella Fitzgerald | G Minor | 2 | 6A | 123 BPM | ||
| Your Love Has Faded | Johnny Hodges | C Major | 1 | 8B | 63 BPM | ||
| People Will Say We’re in Love | Carmen McRae | D Major | 1 | 10B | 109 BPM | ||
| Lover Man (Oh Where Can You Be) | Blossom Dearie | G Minor | 1 | 6A | 99 BPM | ||
| Prisoner of Love | Veronica Swift | D♭ Major | 2 | 3B | 74 BPM | ||
| I'll See You In My Dreams | Sue Raney | F♯ Minor | 3 | 11A | 94 BPM | ||
| No Moon At All | Jeri Southern | E Minor | 1 | 9A | 117 BPM | ||
| A Nightingale Sang In Berkeley Square | Mel Tormé, Wally Stott & His Orchestra | F Minor | 1 | 4A | 79 BPM |