"Smoke Fills the Room" by Critical Role, Colm R. McGuinness had its release date on November 15, 2022. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Welcome to Wildemount (Critical Role Soundtrack) by Critical Role. The song's track number on the album is #9 out of 20 tracks. Based on our statistics, Smoke Fills the Room's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Smoke Fills the Room by Critical Role, Colm R. McGuinness has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Smoke Fills the Room being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opening | Kristian Brastein | C Major | 2 | 8B | 120 BPM | ||
| Cunning Cruel Crits | Borislav Slavov | A Minor | 5 | 8A | 79 BPM | ||
| Beyond the Barricade | Zac Tiessen, Julie Elven, Yoed Nir | G Minor | 7 | 6A | 110 BPM | ||
| Captain of the Aetherblades | Maclaine Diemer | A Minor | 1 | 8A | 87 BPM | ||
| Strike from the Sky | The Flight | G Major | 1 | 9B | 69 BPM | ||
| Stormblessed | Richard Tsutomu Williams, The Black Piper | D Minor | 5 | 7A | 126 BPM | ||
| Ravenloft: Boss Fight Theme | Supernova Collective | F Major | 2 | 7B | 119 BPM | ||
| Grieving Rockgiant | Alex Roe | E♭ Minor | 2 | 2A | 140 BPM | ||
| Death Of Ymir | Glen Gabriel | D Minor | 3 | 7A | 86 BPM | ||
| Helpless Perfection | Berlinist, beGun | D Major | 5 | 10B | 120 BPM | ||
| A Coveted Soul (Ireena's Theme) | Travis Savoie | A Minor | 5 | 8A | 120 BPM | ||
| Crusade Battle Theme | Dmitry V. Silantyev | A♭ Major | 6 | 4B | 123 BPM | ||
| Breaking Through | Theophany | C Minor | 6 | 5A | 120 BPM | ||
| Warmaster | Cris Velasco, The Budapest Scoring Orchestra and Choir | F Major | 2 | 7B | 93 BPM | ||
| Threatful Encounter | Martin Egger | A Minor | 3 | 8A | 120 BPM | ||
| Crucible Knight | Solas Composer | D♭ Major | 9 | 3B | 134 BPM | ||
| In the Darkest Hour | Jason Graves | F Minor | 2 | 4A | 68 BPM | ||
| The Nymph's Heart | Critical Role, Matthew Carl Earl | G Major | 0 | 9B | 81 BPM | ||
| Coless The Butcher | Dan Wakefield | F Minor | 5 | 4A | 173 BPM | ||
| The Bright Queen / Surrendering the Beacon | Hunter Rogerson | F Minor | 2 | 4A | 105 BPM | ||
| Ain't Gettin' Away With It | Will Savino | G Minor | 7 | 6A | 174 BPM | ||
| Zenith | Will Savino | A Minor | 8 | 8A | 155 BPM | ||
| Wildwood in Green | Mickymar Productions Ltd | G Minor | 2 | 6A | 114 BPM | ||
| Glintwood Hollow | Austin Wintory | G Minor | 1 | 6A | 88 BPM | ||
| Battle Plan | Zac Tiessen, Yoed Nir | A♭ Major | 6 | 4B | 128 BPM |